Книга: Roger Stern, Tom Defalco, Chris Claremont, Stern Lee «X-Men vs. Avengers/Fantastic Four»

X-Men vs. Avengers/Fantastic Four

Written by ROGER STERN, TOM DEFALCO, CHRIS CLAREMONT&STAN LEE Penciled by MARC SILVESTRI, KEITH POLLARD, JON BOGDANOVE&JACK KIRBY Cover by KEITH POLLARD Two titanic tussles for the price of one! First: When Magneto's on trial, he needs all the help he can get - and he finds it in the remnants of his former fortress, Asteroid M! The X-Men aren't sure what his scheme is, but they're positive they don't want the Avengers and the Soviet Super-Soldiers to find out before they do! It's multi-team warfare with the eyes of the world on all three! Then: On the verge of disintegration, Kitty Pryde seems resigned to her doom - but the X-Men will do anything to save her, even bargain with a worse doom... Doctor Doom! What stunning secret prevents Mr. Fantastic and the Fantastic Four from saving the day instead? Is he terrified of failing because his greatest failure - the fateful rocket flight - might have really been his greatest success? Do the answers all come down to wunderkind Franklin...

ISBN: 0785157271

Купить за 2959 руб на Озоне

Roger Stern

Infobox Comics creator


imagesize =
caption =
birthname = Roger Stern
birthdate = birth date and age|1950|09|17
location =
deathdate =
deathplace =
nationality = American
area = Writer
alias =
notable works = Amazing Spider-Man, Avengers, Superman
awards =

Roger Stern (born September 17 1950) is an American comic book author and novelist.

In the early 1970s, Stern and Bob Layton published the fanzine "CPL" ("Contemporary Pictorial Literature"), one of the first platforms for the work of John Byrne. Stern broke into the industry in 1975 as part of the Marvel Comics "third wave" of creators, which included artists Byrne and Frank Miller, and writers Jo Duffy, Mark Gruenwald and Ralph Macchio.

Stern worked briefly as an editor (notably on "The Uncanny X-Men"), but is better known for a brief run with John Byrne on "Captain America" and for his lengthy stints on "The Amazing Spider-Man," "Doctor Strange," and "The Avengers". In 1982, he co-created Marvel's second Captain Marvel and the Hobgoblin, both with artist John Romita Jr.. In 1984, Stern co-created the Avengers spin-off "West Coast Avengers", with artist Bob Hall.

In 1987, after a dispute with editor Mark Gruenwald over upcoming storylines, Stern was fired from "The Avengers". He began freelancing for DC Comics, where he was one of the core Superman writers for almost a decade (working on "Superman (vol. 2)" and "Action Comics"), during which he helped to devise the "Death of Superman" storyline that revived interest in the character in the mid-1990s. Stern also wrote a relaunched "Atom" series and co-created the 1980s "Starman" series starring the Will Payton version of the character, with artist Tom Lyle for DC.

In 1996, Stern returned to Marvel to write the miniseries "Spider-Man: Hobgoblin Lives", and contributed to three issues of "Amazing Spider-Man" in 1998 which featured the first confrontation between Norman Osborn and Roderick Kingsley. Over the next four years, he wrote the short-lived "Marvel Universe" series, as well as such miniseries as "Avengers Two", "Avengers Infinity", and "Spider-Man: Revenge of the Green Goblin". Stern also collaborated with "Avengers" writer Kurt Busiek on "Iron Man" and the miniseries "Avengers Forever", and with Byrne on "".

Stern has also written a number of graphic novels, including "Doctor Strange & Doctor Doom: Triumph and Torment"; "Superman for Earth"; "The Incredible Hulk vs. Superman"; and "Superman: A Nation Divided".

Since 2001, most of his comics work has been for European publishers Egmont (writing "The Phantom") and Panini UK. However, 2006-2007 saw a new Darkman mini-series he had written, "Darkman vs. Army of Darkness", for Dynamite Entertainment, with co-writer Kurt Busiek.

In addition to his comics work, Stern has written three novels: "The Death and Life of Superman" (Bantam Books, 1993), "Smallville: Strange Visitors" (Warner Books, 2002), and "Superman: The Never-Ending Battle" (Pocket Books, 2005). "The Death and Life of Superman" was a "New York Times" bestseller in hardcover and was released as a mass market paperback in 1994; a new trade paperback edition was released by Barnes & Noble Books in 2004.

elected bibliography

DC

*"Action Comics" #600-642, 644-657, 659-665, 667-693, 696-700, 737
*"Action Comics Annual" #2-3
*"Adventures of Superman" #453-454, 457, 462, 500
*"Doomsday Annual" #1
*"Green Lantern Corps Quarterly" #1-4
*"Legion of Super-Heroes" #91, 100, 105
*"Legionnaires" #35-53, 55-74, 76-77
*"Legionnaires Annual" #3
*"Power of the Atom" #1-11, 14-15
*"Secret Origins" #29
*"Showcase ’95" #4-5
*"Starman" #1-28
*"Supergirl" (1994) #1-4
*"Supergirl and Team Luthor" #1
*"Superman (vol. 2)" #23-28, 30-34
*"Superman Annual" #2, 7
*""
*""
*""
*"Superman Secret Files" #1
*"" #1
*"" #1, 57
*"" #1-10
*""
*"" #1
*"Superman Villains Secret Files" #1
*"" #1
*"Who's Who in the DC Universe" #3-7, 10-14, 16
*"Who’s Who in the DC Universe Update 1993" #1-2

Marvel

*"Amazing Spider-Man (Vol. 1)" #206, 224-227, 229-252
*"Amazing Spider-Man Annual" #15-17, 22
*"Amazing Spider-Man Annual '97"
*"Avengers 1½"
*"Avengers (Vol. 1)" #189-191, 201, 227-279, 281-288
*"Avengers Annual" #13-14
*"Avengers Forever" #3-12
*"Avengers Infinity" #1-4
*""
*"" #1-3
*"Captain America (Vol. 1)" #230, 247-255
*"" #6-7
*"Dr. Strange (Vol. 2)" #27-30, 32-33, 35-37, 46-62, 65-73, 75
*"Dr. Strange/Dr. Doom: Triumph and Torment"
*"Epic Illustrated" #20
*"Fantastic Four (Vol. 1)" #183, 294-295, 297-302
*"FOOM" #7, 14, 21-22
*"Ghost Rider (Vol. 1)" #68-70, 72-73
*"Heroes for Hire" #1
*"The Incredible Hulk (Vol. 2)" #218-221, 223-229, 231-243
*"The Incredible Hulk Annual" #7-8
*"Iron Man (Vol. 1)" #129
*"Iron Man (Vol. 3)" #14-25
*"Iron Man Annual" #4
*"Iron Man/Captain America Annual '98"
*"Marvel Age" #3, 33
*"Marvel Age Annual" #3-4
*"Marvel Fanfare (Vol. 1)" #6, 12, 18, 57
*"The Marvel No-Prize Book" #1 (Research)
*"Marvel Premiere" #50
*"Marvel Presents" #8, 10-12
*"Marvel Preview" #20-21, 23
*"Marvel Super-Heroes" #103-104
*"Marvel Team-Up Annual" #3
*"" #1-12 (12-1)
*"Marvel Treasury Edition" #13
*"Marvel Universe" #1-7
*"The Mighty Thor (Vol. 1)" #394-397
*"The Mighty Thor Annual" #6
*"Official Handbook of the Marvel Universe" #5
*"Omega the Unknown" #8
*"" #11
*"Power Pachyderms" #1
*"Rampaging Hulk" #23
*"Shadows and Light (Vol. 2)" #3
*"Solo Avengers" #2-4
*"Spectacular Spider-Man (Vol. 1)" #43, 45-52, 54-61, 85, 259-261
*"Spectacular Spider-Man Annual" #3
*"Speedball" #1-8
*""
*"" #1-3
*"" #1-3
*"Spider-Man Team-Up" #2
*"Thunderbolts" #7-9
*"Untold Tales of Spider-Man" # –1
*"Untold Tales of Spider-Man" #25
*""
*"Web of Spider-Man Annual" #3
*"West Coast Avengers (Vol. 1)" #1-4
*"What If? (Vol. 1)" #26, 31, 34-35
*"X-Men vs. The Avengers" #1-4

DC/Marvel

*"Incredible Hulk vs. Superman"
*"Spider-Boy Team-Up (Amalgam)" #1

Other

*"9/11" #1
*"Charlton Bullseye" #1-2, 4-5
*"The Complete Rog 2000"
*"Contemporary Pictorial Literature" #9/10 (Double), 11-12
*"Crazy" #63, 65 (incorrectly marked as] " #66 on cover)
*"Don Rosa's Comics and Stories" #1
*"Fantaco Chronicles" #5
*"Images of Omaha" #2
*"Magnus Robot Fighter" #15-17
*"The Phantom" (Egmont) #13/2004 (#1334) – published as “Fantomen” in Sweden, “Fantomet” in Norway, and “Mustanaamio” in Finland
*"Stray Bullets" #2A
*"The Spirit" #30
*"Writer's Block 2003" #1

Источник: Roger Stern

Tom DeFalco

Infobox comics creator
name = Tom DeFalco



imagesize = 150
caption =
birthname =
birthdate = birth date and age|1950|06|26
location = Queens, New York City
deathdate =
deathplace =
nationality = American
area = Writer, editor
alias =


notable works = "Spider-Man"
awards =
website =

Tom DeFalco (b. June 26 1950) is an American comics writer and editor, well-known for his association with Marvel Comics and Spider-Man.

Biography

DeFalco was born in Queens, New York City, New York, where his family owned a supermarket. His introduction to comic books came when, aged five, an older cousin read an issue of "Batman" to him.

Early career

While in college, DeFalco "wrote for a few local newspapers, a weekly comic strip and did a few short stories," and after graduation "got in touch with the various comic book companies", which led to him beginning his comics career as an editorial assistant with Archie Comics in summer 1972. [ [http://www.geocities.com/the_gzone/tomd.html The Spider's Web Exclusive: Interview with Tom DeFalco] . Accessed March 21, 2008] During his tenure with Archie Comics, he "initiated and developed the Archie Comics Digest Series, which is still being produced today and remains the company’s most profitable publishing series". Learning fast, DeFalco was soon writing for the flagship title "Archie" as well as for other titles including "Scooby-Doo" and "Josie and the Pussycats". [http://www.moonstonebooks.com/interviewTomD.asp Lori G of "Moonstone Books" interview with Tom DeFalco] . Accessed March 21, 2008]

He later joined Marvel Comics, with whom he would spend the next twenty years of his career. One of his earliest non-Archie credits was as writer, however, was with the "Distinguished Competition," on the final (8th) issue of DC's aborted "Swords and Science" title "Starfire" (Oct 1977) and a back-up Cain story in "House of Mystery" before moving to Marvel, where he wrote a couple of issues of "The Avengers" and the final five issues of "Machine Man" (plus a Machine Man issue of "Marvel Team-Up", before launching "Dazzler" in March 1981. (DeFalco later wrote a Machine Man limited series in 1984, with art by Herb Trimpe and Barry Windsor-Smith).

DeFalco was the chief designer and author for "Dazzler", and later became one of the most popular writers for the "Spider-Man" comic book series while at the same time rising through the editorial ranks. While writing "Dazzler", he penned a couple of issues of "Marvel Team-Up", before taking over from Dennis O'Neil as editor of that title, as well as assuming editorial duties on "Ghost Rider", "What If...?" and the Spider-Man titles, which he edited throughout the early 1980s.

GI Joe and Hasbro

DeFalco worked closely with toy manufacturer Hasbro in the early 1980s, heading the creative team that "produced the backstory and dossiers that served as the basis for the of the phenomenally successful GI Joe toy line and ," in 1985. As part of this relaunch, Marvel produced a comic entitled "" in June 1982. DeFalco personally edited the first six issues (handing over to Denny O'Neil in January 1983), as well as assorted issues of G.I. Joe series' throughout the 1980s. The core - "Real American Hero" - series would run for 155 issues over the next 12 years.

DeFalco was also "part of the creative team that introduced the Transformers to the American public" in 1984.

pider-Man and Star Wars

In August 1983, DeFalco wrote the first four issues of the third series of "Red Sonja" (after an aborted second series of just two issues earlier in the year written by Roy Thomas) and after shedding his Spider-Man editorial duties (largely to Danny Fingeroth) he took over from Roger Stern as writer of "The Amazing Spider-Man". The two collaberated on April-May's #251-2 (the "Secret Wars" crossover issues), before DeFalco took over fully with #253, for a two year run, chiefly in collaboration with artist Ron Frenz. Concurrent with editing Jim Shooter's "Secret Wars", DeFalco was introducing Spider-Man's "black costume" in the pages of "Amazing".

DeFalco and Frenz were both removed from "Amazing Spider-Man" by then Spider-editor Jim Owsley, under the orders of Marvel Editor-in-Chief Jim Shooter. Issue #285 (Feb 1987) was their final issue, after which Owsley assumed writing duties. While writing "Amazing", DeFalco continued editing various comics, including several of Marvel's "Star Wars" titles.

Editor-in-Chief

After co-writing two issues of "Fantastic Four" (#301-2; April-May 1987) with Roger Stern (DeFalco would return to writing the title between 1991 and 1996), DeFalco took over writing duties on "Thor" from Walt Simonson with #383 in September, before succeeding Jim Shooter as Editor-in-Chief effective from comics cover-dated November 1987. He served from 1987 to 1994, making him one of the longest serving individuals to hold that post. The only Editors-in-Chief with longer service than him were Stan Lee (1941–1942, 1944–1972) and Shooter (1978–1987).

In an interview with "The Comic Book Gazette", DeFalco described his experiences as Editor-in-Chief as being::"A lot like those old Bullpen Bulletins comic strips, but with significantly more yelling!" [ [http://www.freewebs.com/marvelgazette/interviews.htm#107811209%20Marvel%20Gazette%20Interview Tom DeFalco Interview, March 26, 2003] . Accessed March 21, 2008]

Actions as Editor-in-Chief

As with several others who held the post, DeFalco became one of the public faces identified with a number of controversial decisions taken by Marvel in the period, and he is sometimes held responsible for them in fan circles. He was a key member of the management team that took Marvel public, and under his leadership, Marvel's net profits from publishing rose by over 500%. Under DeFalco's guidance, Marvel entered a phase of expansion that provided an opportunity for an army of "new talent" to enter the comic book industry, and released a number of new titles with original characters. After clashing with the company's upper management, DeFalco was fired in 1994. During the year following his departure, Marvel decided to distribute its own comics and sales on most of Marvel's core titles sagged. At the same time, the company's finances entered a crisis point amidst accusations that owner Ronald Perelman had strip-mined the company for his own gain. Initially the position of overall Editor-in-Chief was scrapped in favour of breaking the line into five sub-sections with their own group editors. In late 1995, the post was restored and filled by Bob Harras.

During his tenure as Editor-in-Chief, DeFalco had continued to write as well, with noted runs on "Thor" (where he created the New Warriors with artist Ron Frenz) and the spin-off "Thunderstrike", as well as "Fantastic Four".

Return to Spider-Man

His dismissal from the position of Editor-in-Chief coincided with a run on "The Spectacular Spider-Man" (#215-229 Aug 1994 - Oct 1995), after which he returned to "The Amazing Spider-Man" in January 1996 for a couple of years (#407-439). During this time he helped co-write the controversial and much maligned Spider-Clone Saga which revealed (temporarily, at least) that Peter Parker was a clone of the original that had been active since 1975. Peter would be replaced by the original Spider-Man under the alias "Ben Reilly". However, following several changes of creators and fan reaction, this was soon reversed.

Other

DeFalco is also the author of over a dozen graphic novels, several hundred comic book stories, several dozen cyber-comics, three novels and six children's books, including the best-selling Dorling Kindersley guides to Marvel comics characters. These include: "Spider-Man: The Ultimate Guide", "Avengers: The Ultimate Guide", "Fantastic Four: The Ultimate Guide" and "Hulk: The Incredible Guide". For Titan Books he has compiled three volumes in their "Comic Creators On..." series of essays and thoughts on Marvel characters (Spider-Man, the Fantastic Four and the X-Men, between 2004 and 2006).

DeFalco has personally created and developed over three dozen characters that have all been licensed for television, toys, t-shirts, posters, trading cards and other merchandise, and has written "Khan" for Moonstone Books. DeFalco also created Spider-Girl, who currently has an ongoing monthly series which only sells satisfactory in the "direct market", but does well in the collected digest format.

In August 2008, DeFalco will once again return to the character of Spider-Man in a new comic strip for Amazing Spider-Man Family, Mr. and Mrs. Spider-Man, which will serve as the definitive continuity of the MC2 Spider-Man universe

Fandom

Tom DeFalco often visits the " [http://www.comicboards.com/spidergirl/ Spider-Girl] " section on www.comicboards.com. He posts under the name Tom D and has answered questions regarding Spider-Girl and some of his other comics. He also has made mention of the messageboard in some of the letter columns of Spider-Girl.

References

External links

* [http://www.marvel.com/news/comicstories.637 Tom DeFalco podcast on Marvel.com]
* [http://www.freewebs.com/marvelgazette/interviews.htm#107811209 Marvel Gazette Interview]

Источник: Tom DeFalco

Chris Claremont

Chris Claremont

Claremont at the New York Comic Con,
October 16, 2011.
Born Christopher S. Claremont
London, England
Occupation comic book writer, novelist
Language English
Nationality American
Alma mater Bard College
Period 1974 to the present
Genres superhero fantasy, science fiction,
Notable award(s) Comics Buyer's Guide Fan Award, 1983, 1984, 1988, 1989, 1990, 1992
Eagle Award, 1978, 1979


chrisclaremont.com

Chris Claremont (born November 30, 1950) is an award-winning American comic book writer and novelist, known for his 17-year (1975–1991) stint on Uncanny X-Men, far longer than any other writer,[1] during which he is credited with developing strong female characters, and with introducing complex literary themes into superhero narratives, turning the once underachieving comic into one of Marvel’s most popular series.[2][3]

During his tenure at Marvel, Claremont co-created numerous important X-Men characters, such as Rogue, Psylocke, Shadowcat, Phoenix, Mystique, Lady Mastermind, Emma Frost, Siryn, Jubilee, Rachel Summers, Madelyne Pryor, Sabretooth, Strong Guy, Captain Britain, Mister Sinister, and Gambit, scripted many classic stories, including "The Dark Phoenix Saga" and "Days of Future Past",[4] and along with collaborators such as John Byrne, developed the character of Wolverine into a popular fan favorite. X-Men #1, the 1991 spinoff series premiere that Claremont co-wrote with Jim Lee, remains the best-selling comic book of all time, according to the Guinness Book of World Records.

Contents

Early life

Chris Claremont was born Christopher S. Claremont[5][6] in London, England on November 30, 1950,[7][8] the son of an internist father and a pilot/caterer mother. He was raised primarily on Long Island. Alienated by sports-oriented suburbs, he did not collect comics in his youth, but read works by science fiction writers such as Robert Heinlein, as well as writers of other genres such as Rudyard Kipling and C. S. Forester.[3] In the late 1960s and early 1970s, Claremont attended Bard College, where he studied acting and political theory. He graduated in 1972.[3][9][10]

Career

Comics

1969 - 1991

Claremont's career began in 1969, as a college undergraduate, when he was a gofer/editorial assistant at Marvel Comics.[1] In 1974, as an entry into comics writing, Claremont was given the fledgling title Iron Fist, which teamed him with John Byrne, their second collaboration, and their first since Marvel Premiere.

Though his acting career did not yield great success, he functioned well at Marvel, where he obtained a full-time position. Marvel editor-in-chief at the time, Len Wein, who recognized Claremont's enthusiasm for the new X-Men that Wein and Dave Cockrum had created in 1975, hired Claremont, a relatively young writer, to take over the failing series, reasoning that doing so would not draw opposition from other writers, given the book's poor standing. Claremont approached the job as a method actor, developing the characters by examining their motives, desires and individual personalities. This approach drew immediate positive reaction. According to former Marvel editor-in-chief Bob Harras, "He lived it and breathed it. He would write whole paragraphs about what people were wearing. He really got into these people's thoughts, hopes, dreams." Claremont's take on the series has also been likened to writing "the Great American Novel about complex character who just happened to fly", incorporating surprise character developments and emotional nuances amid the operatic battles that otherwise typified American superhero comics.[3]

During his 17 years as X-Men writer, Claremont wrote or co-wrote many classic X-Men stories, such as "The Dark Phoenix Saga" and "Days of Future Past". The second X-Men film was loosely based on his X-Men graphic novel God Loves, Man Kills.[11]

During his X-Men tenure, Claremont became especially known for his strong characterizations of the female members of the team,[12] particularly Phoenix and Storm. Under Claremont's direction, Jean Grey a.k.a. Marvel Girl, one of Marvel's first female heroes, underwent a huge transformation into the omnipotent Phoenix.[13] Similarly, Storm a.k.a. Ororo Munroe, became one of the first relevant African-American superheroines of the era. She was the first black female to play either a major or supporting role in the big two comic book houses, Marvel and DC Comics; one of her defining moments being successfully battling Cyclops for leadership of the X-Men.[14] In addition, Claremont co-created numerous other important female X-Men characters, including Rogue, Psylocke, Shadowcat, Phoenix, Mystique, Lady Mastermind, Emma Frost, Siryn, Jubilee, Rachel Summers, and Madelyne Pryor. (He also co-created such notable male characters as Sabretooth, Avalanche, Strong Guy, Captain Britain, Mister Sinister, and Gambit.)

In addition, Claremont helped launch various X-Men spin-offs, beginning with New Mutants in 1982. In 1986, Marvel launched X-Factor, altering the Phoenix/Jean Grey continuity Claremont had established. The spinoffs Excalibur and Wolverine followed in 1987 and 1988, respectively. In 1991, Marvel launched a second X-Men title simply called X-Men with Claremont and penciler Jim Lee as co-writers. X-Men #1 is still the best-selling comic book of all-time, with sales of over 8.1 million copies (and nearly $7 million), according to Guinness Book of World Records, which presented honors to Claremont at the 2010 San Diego Comic-Con.[15][16] The sales figures were generated in part by publishing the issue with four different variant covers which showed different characters from the book (and later a fifth gatefold cover that combined all four), large numbers of which were purchased by retailers, who anticipated fans and speculators who would buy multiple copies in order to acquire a complete collection of the covers.[17] Claremont left the series after the first three-issue story arc, due to clashes with editor Bob Harras.[3]

1992 - present

The 1990s saw Claremont diversify his comics work, as he wrote for other publishers, and wrote his own creator-owned properties. In 1992 he wrote the graphic novel Star Trek: Debt of Honor, which was illustrated by Adam Hughes. In 1993, he began writing the 12-issue miniseries Aliens/Predator: Deadliest of the Species for Dark Horse Comics, which was completed in 1995. In 1994, he wrote issues 10 - 13 of Jim Lee and Brandon Choi's series, WildC.A.T.s (volume 1) at Image Comics, in which he introduced his creator-owned character Huntsman.[18] In 1995 Claremont began writing his creator-owned series, Sovereign Seven, which was published by DC Comics, running for 36 issues until 1998.

In 1998, Claremont returned to Marvel as editorial director and the regular writer of Fantastic Four. He also wrote a Wolverine story arc. In 2000, as part of the company's "Revolution" event, he wrote Uncanny X-Men and X-Men until he moved to X-Treme X-Men with penciller Salvador Larroca.

In 2007, Claremont returned to New Excalibur, writing a story arc in which the character Nocturne has a stroke. He has also completed his first arc on Exiles, adding Psylocke to the team.

Claremont appeared with Dan Slott, Joe Quesada, Scott Adsit, and Frank Tieri at MarvelFest NYC 2009 in order to judge the event's costume contest.[19]

In 2008 Claremont wrote the miniseries GeNEXT, followed by its 2009 sequel, GeNext: United. He was also the writer of a X-Men Forever,[20][21] which takes place in an alternate universe, and focuses on the present day lives of the X-Men in a reality where Magneto never returned following the destruction of Asteroid M in X-Men #3 (December 1991).

Writing style

Claremont’s approach to storytelling during his run on X-Men is considered groundbreaking. According to writer/editor Paul Levitz, Claremont’s complex story structures, "played a pivotal role in assembling the audience that enabled American comics to move to more mature and sophisticated storytelling, and the graphic novel."[2]

As the writer of X-Men, Claremont became known for certain characteristic phrases, such as Wolverine's saying, "I'm the best there is at what I do. And what I do...isn't very nice", which became closely associated with the character.[22]

A 2009 Slate article asserted that Claremont is the "soapiest writer in comic books.... The classic Claremont pose is either a character, head hung in shame with two enormous rivers of tears running down the cheeks as he or she delivers a self-loathing monologue, or a character with head thrown back and mouth open in a shout of rage, shaking tiny fists at heaven and vowing that the whole world will soon learn about his or her feelings." However, the article goes to state that "the genius of Chris Claremont was that he made mutants a generic stand-in for all minorities".[23]

Novels and acting

Claremont being interviewed on breaking into the comics industry at the New York Comic Con.

In 1987 Claremont began writing genre novels. His first foray into that medium was a science fiction trilogy about female USAF pilot/astronaut Nicole Shea, consisting of First Flight (1987), Grounded! (1991), and Sundowner (1994). Claremont also co-wrote the Chronicles of the Shadow War trilogy, Shadow Moon (1995), Shadow Dawn (1996), and Shadow Star (1999), with George Lucas, which continued the story of Elora Danan from the movie Willow. Claremont was also a contributor to the Wild Cards anthology series.

Claremont made a cameo appearance in the opening scene of the 2006 film X-Men: The Last Stand, for which he is credited as "Lawnmower man".

Charity work

In December 2010 Claremont appeared at a book signing at Borders Books at Penn Plaza in Manhattan as part of a series of special events nationwide to commemorate World AIDS Day, with 25% of the proceeds of books sold at the event donated to Lifebeat, a nonprofit organization that educates young people on HIV/AIDS prevention.[4]

In July 2011 Claremont signed a deed of gift to Columbia University’s Rare Book & Manuscript Library, donating his archives of all his major writing projects over the previous 40 years to the Library's graphic novel collection, which will form the basis of a research center for New York City-based cartoonists and comics writers. Following the examination and processing of the materials, which include notebooks, correspondence, early story drafts, plays, novels, comic books and materials from Claremont’s early training in the theater and his career as an actor, a conference called Comic New York will be held March 24-25, 2012 at Columbia University's Low Memorial Library to mark the occasion, which is being organized by both the university's staff and editor Danny Fingeroth. Claremont’s archive will be housed at the Butler Library, separate from the graphic novel collection, and will be open to anyone who demonstrates a need for its use, with a Finding Aid being made available online. Claremont's longtime editor Louise Simonson said, "his papers will provide many clues, not only to the evolving way comic books are created and presented, but also how they are perceived, licensed, bought and sold in America and around the world."[2]

Personal life

In the mid-1970s Claremont was married to Bonnie Wilford.[24] His current wife is Beth Fleisher,[2] with whom Claremont co-authored Dragon Moon.[25] Fleisher is also the cousin of editor Dan Raspler, who was the editor on JLA during the six-issue "Tenth Circle" story arc Claremont and John Byrne wrote in 2004.[26]

Awards

  • 1983 Comics Buyer's Guide Fan Award for Favorite Writer
  • 1984 Comics Buyer's Guide Fan Award for Favorite Writer
  • 1988 Comics Buyer's Guide Fan Award for Favorite Writer
  • 1989 Comics Buyer's Guide Fan Award for Favorite Writer
  • 1990 Comics Buyer's Guide Fan Award for Favorite Writer
  • 1990 Comics Buyer's Guide Fan Award for Favorite Comic Book Story
  • 1992 Comics Buyer's Guide Fan Award for Favorite Graphic Novel or Album (for Star Trek: Debt of Honor)[27]
  • 1976 Eagle Award for Favourite Comicbook (Dramatic)
  • 1976 Eagle Award for Favourite Comicbook Team
  • 1977 Eagle Award for Favourite Comic Book (Dramatic)
  • 1977 Eagle Award for Favourite Team
  • 1978 Eagle Award for Best Comic Book Writer (US)
  • 1978 Eagle Award for Favourite Comic (US)
  • 1978 Eagle Award for Favourite Group or Team
  • 1978 Eagle Award for Favourite Single Story - X-Men #111 – "Mindgames" [Chris Claremont/John Byrne]
  • 1979 Eagle Award for Favourite Comicbook Writer
  • 1979 Eagle Award for Favourite Comicbook - X-Men
  • 1979 Eagle Award for Favourite Comicbook Team - X-Men
  • 1979 Eagle Award for Favourite Continued Comic Story - X-Men #125-128 [Chris Claremont/John Byrne]
  • 1983 Eagle Award for Favourite Group or Team (US)- X-Men
  • 1985 Eagle Award for Favourite Group or Team (US)- X-Men
  • 1985 Eagle Award for Favourite Group or Team (US)- X-Men
  • 1986 Eagle Award for Favourite Group or Team (US)- X-Men
  • 1989 Eagle Award for Favourite Comicbook US - Uncanny X-Men
  • Charles Flint Kellogg Award in Arts and Letters from Bard College[10]

Bibliography

References

  1. ^ a b Claremont, Chris. Marvel Age Special: X-Men Anniversary Magazine vol. 1, #1 (Sept. 1993).
  2. ^ a b c d Reed, Calvin. "X-Men Writer Chris Claremont Donates Archive to Columbia University". Publishers Weekly. November 14, 2011
  3. ^ a b c d e Foege, Alec. "The X-Men Files". New York Magazine. July 17, 2000
  4. ^ a b "Comic Legend Chris Claremont Allies with Borders for World AIDS Day". Comic Book Resources. November 26, 2010
  5. ^ Christian name: cover, Marvel Graphic Novel #5: X-Men: God Loves, Man Kills.
  6. ^ Middle initial: "X-Mail" letter column, Uncanny X-Men #144 (Apr. 1981).
  7. ^ Miller, John Jackson. "Comics Industry Birthdays", Comic Buyer's Guide, June 10, 2005. Accessed April 11, 2009. WebCitation archive.
  8. ^ Chris Claremont at Fantastic Fiction, Accessed November 17, 2010.
  9. ^ "X-Mail", Uncanny X-Men #164 (December 1982)
  10. ^ a b "Bard College Awards", Bard College Catalogue 2008–2009 (Bard Publications Office, Bard College, 2009).
  11. ^ Scott Brown (2003-05-09). "The NeXt Level". Entertainment Weekly. http://www.ew.com/ew/article/0,,449160,00.html. Retrieved 2008-02-18. 
  12. ^ "Uncanny X-Men #96," Vintage Spandex (July 10, 2008). Accessed Apr. 20, 2009.
  13. ^ X-Men #101 (Marvel Comics, Oct. 1976).
  14. ^ Uncanny X-Men #201 (Jan. 1986).
  15. ^ Morse, Ben. "SDCC 2010: Marvel Breaks World Record", Marvel.com, August 10, 2010
  16. ^ Johnson, Rich. "X-Men #1 The Guinness World Record Best Selling Comic Of All Time?". ]]Bleeding Cool]]. July 22, 2010
  17. ^ Miller, John Jackson. "X-Men #1, One Piece, and world records", The Comics Chronicles, November 16, 2010.
  18. ^ "Bye Bye Marvel; Here Comes Image: Portacio, Claremont, Liefeld, Jim Lee Join McFarlane's New Imprint at Malibu," The Comics Journal #148 (February 1992), pp. 11-12.
  19. ^ Dark Avengers Annual #1 Marvel Comics; 2009
  20. ^ Steve Ekstrom. "Chris Claremont on GeNEXT", Newsarama; 14 May 2008
  21. ^ Steve Ekstrom. "NYCC '09: Claremont and the X-Men: With a Twist" Newsarama 6 February 2009
  22. ^ Peter David. "The Best There Is At What He Does…and What He Does is Set Up Other Movies" peterdavid.net; May 1, 2009
  23. ^ Hendrix, Grady. "I Heart Wolverine", Slate (Apr. 30, 2009).
  24. ^ Cabal, Alan. "The Doom that Came to Chelsea", New York Press, June 10, 2003
  25. ^ X-Men - The Last Stand. Amazon.com. accessed July 18, 2011.
  26. ^ Claremont, Chris. Modern Masters Volume Six: Arthur Adams. 2006. TwoMorrows Publishing. page 5
  27. ^ Miller, John Jackson. "CBG Fan Award winners 1982-present". CBGXtra. June 9, 2005

External links

Interviews

Preceded by
Steve Gerber
Daredevil writer
1975
Succeeded by
Tony Isabella
Preceded by
Len Wein
Uncanny X-Men writer
1975–1991
Succeeded by
John Byrne
Preceded by
Michael Fleisher
Man-Thing writer
1980-1981
(with fill-ins by Dickie Mackenzie and J. M. DeMatteis)
Succeeded by
J. M. DeMatteis
Preceded by
None
New Mutants (vol. 1) writer
1983–1987
Succeeded by
Louise Simonson
Preceded by
None
Excalibur writer
1987–1991
Succeeded by
Scott Lobdell
Preceded by
None
Wolverine writer
1988–1989
Succeeded by
Peter David
Preceded by
Louise Simonson
X-Factor (vol. 1) writer
1991
Succeeded by
Peter David
Preceded by
None
X-Men (vol. 2) writer
1991
Succeeded by
John Byrne
Preceded by
Warren Ellis
Wolverine writer
1998
Succeeded by
Todd DeZago
Preceded by
Scott Lobdell
Fantastic Four writer
1998–2000
Succeeded by
John Francis Moore
Preceded by
Alan Davis
Uncanny X-Men writer
2000–2001
Succeeded by
Scott Lobdell
Preceded by
Alan Davis
X-Men (vol. 2) writer
2000–2001
Succeeded by
Scott Lobdell
Preceded by
Chuck Austen
Uncanny X-Men writer
2004–2006
Succeeded by
Ed Brubaker

Источник: Chris Claremont

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