Книга: Parks Gordon «To Smile in Autumn»

U.S. writer, photographer, and film director.

Parks worked as a staff photographer for Life (1948–72), becoming known for his portrayals of ghetto life, black nationalists, and the civil rights movement. His first work of fiction was The Learning Tree (1963), a novel about a black adolescent in Kansas in the 1920s. He combined poetry and photography in collections such as A Poet and His Camera (1968) and Glimpses Toward Infinity (1996). He also directed several motion pictures, including Shaft (1971).

Gordon Roger Alexander Buchanan Parks  American author, photographer, and film director (b. Nov. 30, 1912, Fort Scott, Kan.—d. March 7, 2006, New York, N.Y.), documented African American life. The son of a tenant farmer, Parks grew up in poverty. After dropping out of high school, he held a series of odd jobs, including pianist and waiter. In 1938 he bought a camera, and he initially made a name for himself as a portrait and fashion photographer. After moving to Chicago, he began chronicling life on the city's largely impoverished South Side. These photographs led to a Julius Rosenwald fellowship, and in 1942 he became a photographer at the Farm Security Administration (FSA) in Washington, D.C. While with the FSA, he took perhaps his best-known photograph, American Gothic, which featured an African American cleaning woman holding a mop and broom while standing in front of an American flag. In 1948 Parks became a staff photographer for Life magazine, the first African American to hold that position. Parks, who remained with the magazine until 1972, became known for his portrayals of ghetto life, black nationalists, and the civil rights movement. A photo-essay about a child from a Brazilian slum was expanded into a television documentary, Flavio (1962), and a book with poetry (1978) also titled Flavio. Parks also was noted for his intimate portraits of such public figures as Ingrid Bergman, Barbra Streisand, Gloria Vanderbilt, and Muhammad Ali. Parks's first work of fiction was The Learning Tree (1963), a coming-of-age novel about a black adolescent in Kansas in the 1920s. He also wrote forthright autobiographies—A Choice of Weapons (1966), To Smile in Autumn (1979), and Voices in the Mirror (1990). He combined poetry and photography in A Poet and His Camera (1968), Whispers of Intimate Things (1971), In Love (1971), Moments Without Proper Names (1975), and Glimpses Toward Infinity (1996). Other works included the essay collection Born Black (1971), the novel Shannon (1981), and the poetry, photograph, and watercolour collection Arias in Silence (1994). In 1968, with his film adaptation of The Learning Tree, Parks became the first African American to direct a major motion picture. He also produced the movie and wrote the screenplay and musical score. He next directed Shaft (1971), which centred on a black detective. A major success, it helped give rise to the genre of African American action films known as “blaxploitation.” A sequel, Shaft's Big Score, appeared in 1972. Parks later directed the comedy The Super Cops (1974) and the drama Leadbelly (1976), as well as several television films.

born November 30, 1912, Fort Scott, Kansas, U.S.

died March 7, 2006, New York, New York

      American author, photographer, and film director, who documented African American life.

      The son of a tenant farmer, Parks grew up in poverty. After dropping out of high school, he held a series of odd jobs, including pianist and waiter. In 1938 he bought a camera and initially made a name for himself as a portrait and fashion photographer. After moving to Chicago, he began chronicling life on the city's impoverished South Side. These photographs led to a Julius Rosenwald Fellowship, and in 1942 he became a photographer at the Farm Security Administration (FSA). While with the FSA, he took perhaps his best-known photograph, American Gothic, which featured an African American cleaning woman holding a mop and broom while standing in front of an American flag.

      In 1948 Parks became a staff photographer for Life magazine, the first African American to hold that position. Parks, who remained with the magazine until 1972, became known for his portrayals of ghetto life, black nationalists, and the civil rights movement. A photo-essay about a child from a Brazilian slum was expanded into a television documentary (1962) and a book with poetry (1978), both titled Flavio. Parks also was noted for his intimate portraits of such public figures as Ingrid Bergman, Barbra Streisand, Gloria Vanderbilt, and Muhammad Ali.

 Parks's first work of fiction was The Learning Tree (1963), a coming-of-age novel about a black adolescent in Kansas in the 1920s. He also wrote forthright autobiographies—A Choice of Weapons (1966), To Smile in Autumn (1979), and Voices in the Mirror (1990). He combined poetry and photography in A Poet and His Camera (1968), Whispers of Intimate Things (1971), In Love (1971), Moments Without Proper Names (1975), and Glimpses Toward Infinity (1996). Other works included Born Black (1971), a collection of essays, the novel Shannon (1981), and Arias in Silence (1994).

      In 1968 Parks became the first African American to direct a major motion picture with his film adaptation of The Learning Tree. He also produced the movie and wrote the screenplay and musical score. He next directed Shaft (1971), which centred on a black detective. A major success, it helped give rise to the genre of African American action films known as “blaxploitation.” A sequel, Shaft's Big Score, appeared in 1972. Parks later directed the comedy The Super Cops (1974) and the drama Leadbelly (1976) as well as several television films.