Книга: W. J. T. Mitchell «Seeing Through Race»
|
According to W. J. T. Mitchell, a "color-blind" post-racial world is neither achievable nor desirable. Against popular claims that race is an outmoded construct that distracts from more important issues, Mitchell contends that race remains essential to our understanding of social reality. Race is not simply something to be seen but is among the fundamental media through which we experience human otherness. Race also makes racism visible and is thus our best weapon against it. The power of race becomes most apparent at times when pedagogy fails, the lesson is unclear, and everyone has something to learn. Mitchell identifies three such moments in America's recent racial history. First is the post-Civil Rights moment of theory, in which race and racism have been subject to renewed philosophical inquiry. Second is the moment of blackness, epitomized by the election of Barack Obama and accompanying images of blackness in politics and popular culture. Third is the "Semitic Moment" in... Издательство: "Harvard University Press" (2012) Формат: 150x220, 248 стр.
ISBN: 9780674059818, 978-0-674-05981-8 Купить за 889.5 руб на Озоне |
W. J. T. Mitchell
W. J. T. Mitchell is the Gaylord Donnelley Distinguished Service Professor of English and Art History at the
His monographs, "Iconology" (1986) and "Picture Theory" (1994), focus on media theory and
Bibliography
Books
*What do Pictures Want? the Lives and Loves of Images. Chicago, IL: U of Chicago P, 2005.
*The Last Dinosaur Book: The Life and Times of a Cultural Icon. Chicago, IL: U of Chicago P, 1998.
*Picture Theory: Essays on Verbal and Visual Representation. Chicago: U of Chicago P, 1994.
*Iconology: Image, Text, Ideology. Chicago: U of Chicago P, 1986.
*Against Theory: Literary Studies and the New Pragmatism. Chicago: U of Chicago P, 1985.
*The Politics of Interpretation. Chicago: U of Chicago P, 1983.
*"On Narrative". Chicago: U of Chicago P, 1981. review: " [http://links.jstor.org/sici?sici=0002-7294(198303)2%3A85%3A1%3C195%3AON%3E2.0.CO%3B2-D] " from
*The Language of Images. Chicago: U of Chicago P, 1980.
*Blake's Composite Art: A Study of the Illuminated Poetry. Princeton: Princeton UP. 232 pp. 112 plates, 1978.
*Wolfe, Cary, and W. J. T. Mitchell. Animal Rites: American Culture, the Discourse of Species and Posthumanist Theory. Chicago, IL: U of Chicago P, 2003.
Essays and other short works
*Amrine, Frederick, Martha Banta, Antoine Compagnon, Heather Dubrow, James D. Fernández, Sue Houchins, and W. J. T. Mitchell, et al. "The Status of Evidence: A Roundtable." PMLA: Publications of the Modern Language Association of America 111, no. 1 (Jan, 1996): 21-31.
*Bhabha, Homi, and W. J. T. Mitchell. "Edward Said: Continuing the Conversation." Critical Inquiry 31, no. 2 (Winter, 2005): 365-529.
*Mitchell, W. J. T. "Edward Said: Continuing the Conversation." Critical Inquiry 31, no. 2 (Winter, 2005): 365-370.
*"Secular Divination: Edward Said's Humanism." Critical Inquiry 31, no. 2 (Winter, 2005): 462-471.
*"The Future of Criticism-A Critical Inquiry Symposium." Critical Inquiry 30, no. 2 (Winter, 2004): 324-483.
*"Romanticism and the Life of Things: Fossils, Totems, and Images." in Things., Edited by Bill Brown. Chicago, IL: U of Chicago P, 2004.
*"The Commitment to Form; Or, Still Crazy After all these Years." PMLA: Publications of the Modern Language Association of America 118, no. 2 (Mar, 2003): 321-325.
*"Remembering Edward Said." Chronicle of Higher Education 50, no. 7 (Oct 10, 2003): B10-B11.
*"The Serpent in the Wilderness: Space, Place, and Landscape in the Eighteenth Century." in Acts of Narrative., Edited by Carol Jacobs, Henry Sussman. Stanford, CA: Stanford UP, 2003.
*"The Work of Art in the Age of Biocybernetic Reproduction." Modernism/Modernity 10, no. 3 (Sept, 2003): 481-500.
*"Showing Seeing: A Critique of Visual Culture". In: Michael Ann Holly and Keith Moxey (eds.)," Art History, Aesthetics, Visual Studies". Clark Art Institute and Yale University Press, 2002: 231-250.
*"911: Criticism and Crisis." Critical Inquiry 28, no. 2 (Winter, 2002): 567-572.
*"The Surplus Value of Images." Mosaic: A Journal for the Interdisciplinary Study of Literature 35, no. 3 (Sept, 2002): 1-23.
*"Romanticism and the Life of Things: Fossils, Totems, and Images." Critical Inquiry 28, no. 1 (Autumn, 2001): 167-184.
*"Seeing Disability." Public Culture 13, no. 3 [35] (Fall, 2001): 391-397.
*"Holy Landscape: Israel, Palestine, and the American Wilderness." Critical Inquiry 26, no. 2 (Winter, 2000): 193-223.
*"La Plus-Value Des Images." Etudes Littéraires 32-33, no. 3-1 (Autumn-2001 Winter, 2000): 201-225.
*"The Panic of the Visual: A Conversation with Edward W. Said." in Edward Said and the Work of the Critic: Speaking Truth to Power., Edited by Paul A. Bové. Durham, NC: Duke UP, 2000.
*"The Panic of the Visual: A Conversation with Edward W. Said." Boundary 2: An International Journal of Literature and Culture 25, no. 2 (Summer, 1998): 11-33.
*"The Romantic Education of W. J. T. Mitchell." in U of Maryland, College Park, MD Pagination: 34 Paragraphs., Edited by Wang, Orrin N. C. (ed.), The Last Formalist,or W.J.T.Mitchell as Romantic Dinosaur1997.
*"The Violence of Public Art: Do the Right Thing." in Spike Lee's do the Right Thing., Edited by Mark A. Reid. Cambridge, England: Cambridge UP, 1997.
*"Chaosthetics: Blake's Sense of Form." Huntington Library Quarterly: Studies in English and American History and Literature 58, no. 3-4 (1996): 441-458.
*"Visible Language: Blake's Wond'Rous Art of Writing." in William Blake., Edited by David Punter. New York: St. Martin's, 1996.
*"What do Pictures really Want?" October 77, (Summer, 1996): 71-82.
*"Why Comparisons are Odious." World Literature Today: A Literary Quarterly of the University of Oklahoma 70, no. 2 (Spring, 1996): 321-324.
*"Postcolonial Culture, Postimperial Criticism." in The Post-Colonial Studies Reader., Edited by Bill Ashcroft, Gareth Griffiths and Helen Tiffin. London: Routledge, 1995.
*"Narrative, Memory, and Slavery." in Cultural Artifacts and the Production of Meaning: The Page, the Image, and the Body., Edited by Margaret J. M. Ezell, Katherine O'Brien O'Keeffe. Ann Arbor, MI: U of Michigan P, 1994.
*"Ekphrasis and the Other." South Atlantic Quarterly 91, no. 3 (Summer, 1992): 695-719.
*"Postcolonial Culture, Postimperial Criticism." Transition 56, (1992): 11-19.
*"Iconology and Ideology: Panofsky, Althusser, and the Scene of Recognition." in Image and Ideology in Modern/Postmodern Discourse., Edited by David B. Downing, Susan Bazargan. Albany: State U of New York P, 1991.
*"Against Comparison: Teaching Literature and the Visual Arts." in Teaching Literature and Other Arts., Edited by Jean-Pierre Barricelli, Joseph Gibaldi and Estella Lauter. New York: Mod. Lang. Assn. of Amer., 1990.
*"Influence, Autobiography, and Literary History: Rousseau's Confessions and Wordsworth's the Prelude." ELH 57, no. 3 (Fall, 1990): 643-664.
*"Essays Toward a New Art History." Critical Inquiry 15, no. 2 (Winter, 1989): 226-406.
*"Image and Text in Songs." in Approaches to Teaching Blake's Songs of Innocence and of Experience., Edited by Robert F. Gleckner, Mark L. Greenberg. New York: Mod. Lang. Assn. of Amer., 1989.
*"Space, Ideology, and Literary Representation." Poetics Today 10, no. 1 (Spring, 1989): 91-102.
*"Tableau and Taboo: The Resistance to Vision in Literary Discourse." CEA Critic: An Official Journal of the College English Association 51, no. 1 (Fall, 1988): 4-10.
*"Wittgenstein's Imagery and what it Tells Us." New Literary History: A Journal of Theory and Interpretation 19, no. 2 (Winter, 1988): 361-370.
*"How Good is Nelson Goodman?" Poetics Today 7, no. 1 (1986): 111-115.
*"Visible Language: Blake's Wond'Rous Art of Writing." in Romanticism and Contemporary Criticism., Edited by Morris Eaves, Michael Fischer. Ithaca: Cornell UP, 1986.
*"The Politics of Genre: Space and Time in Lessing's Laocoon." Representations 6, (Spring, 1984): 98-115.
*"What is an Image?" New Literary History: A Journal of Theory and Interpretation 15, no. 3 (Spring, 1984): 503-537.
*"Metamorphoses of the Vortex: Hogarth, Turner, and Blake." in Articulate
*"Critical Inquiry and the Ideology of Pluralism." Critical Inquiry 8, no. 4 (Summer, 1982): 609-618.
*"Dangerous Blake." Studies in Romanticism 21, no. 3 (Fall, 1982): 410-416.
*"How Original was Blake?" Blake: An Illustrated Quarterly 14, (-1981, 1980): 116-120.
*"The Language of Images." Critical Inquiry 6, no. 3 (Spring, 1980): 359-567.
*"On Narrative." Critical Inquiry 7, no. 1 (Fall, 1980): 1-236.
*"Spatial Form in Literature: Toward a General Theory." Critical Inquiry: A Voice for Reasoned Inquiry into Significant Creations of the Human Spirit 6, (1980): 539-567.
*"Spatial Form in Literature: Toward a General Theory." Critical Inquiry 6, no. 3 (Spring, 1980): 539-567.
*"Critical Inquiry After Sheldon Sacks." Bulletin of the Midwest Modern Language Association 12, no. 1 (Spring, 1979): 32-36.
*"On Sheldon Sacks." Critical Inquiry 6, no. 2 (Winter, 1979): 181-229.
*"Style as Epistemology: Blake and the Movement Toward Abstraction in Romantic Art." Studies in Romanticism 16, (1977): 145-164.
*Mitchell, W. J. T., and Gerald Graff. "Intellectual Politics and the Malaise of the Seventies." Salmagundi 47-48, (1980): 67-77.
*Mitchell, W. J. T., and Paul Hernadi. "On Narrative."
*Mitchell, W. J. T., and Winfried Menninghaus. "Angelus Novus: Perspectives on Walter Benjamin." Critical Inquiry 25, no. 2 (Winter, 1999).
*Mitchell, W. J. T., Louis A. Renza, and (reply). "Going Too Far with the Sister Arts." in Space, Time, Image, Sign: Essays on Literature and the Visual Arts., Edited by James A. W. Heffernan. New York: Peter Lang, 1987.
*Mitchell, W. J. T., and Gabriele Schabacher. "Der Mehrwert Von Bildern." in Die Adresse Des Mediums., Edited by Stefan Andriopoulos, Gabriele Schabacher, Eckhard Schumacher, Bernhard Dotzler, Erhard Schüttpelz and Georg Stanitzek. Cologne, Germany: DuMont, 2001.
*Mitchell, W. J. T., and Nadine Strossen. "A Resounding Rock in Flight." Chronicle of Higher Education 47, no. 12 (Nov 17, 2000): B4.
*Mitchell, W. J. T., and Ilse Utz. "Postkoloniale Kultur, Postimperiale Kritik." Neue Rundschau 107, no. 1 (1996): 20-25.
*Mitchell, W. J. T., Orrin N. C. Wang, and (interview and gloss). "An Interview with Orrin N. C. Wang." in U of Maryland, College Park, MD Pagination: 22 Paragraphs., Edited by Wang, Orrin N. C. (ed.), The Last Formalist,or W.J.T.Mitchell as Romantic Dinosaur1997.
*Surette, Leon, and W. J. T. Mitchell. "Rational Form in Literature." Critical Inquiry 7, no. 3 (Spring, 1981): 612-621.
External links
* [http://humanities.uchicago.edu/faculty/mitchell/home.htm W.J.T. Mitchell's Home Page]
ee also
*
Источник: W. J. T. Mitchell
Другие книги схожей тематики:
| Автор | Книга | Описание | Год | Цена | Тип книги |
|---|---|---|---|---|---|
| W. J. T. Mitchell | Seeing Through Race | According to W. J. T. Mitchell, a "color-blind" post-racial world is neither achievable nor desirable. Against popular claims that race is an outmoded construct that distracts from more important… — Harvard University Press, (формат: 150x220, 248 стр.) Подробнее... | 2012 | 889.5 | бумажная книга |
| Murakami Haruki | What I Talk About When I Talk About Running | In 1982, having sold his jazz bar to devote himself to writing, Murakami began running to keep fit. A year later, he'd completed a solo course from Athens to Marathon, and now, after dozens of such… — Vintage books, Подробнее... | 2008 | 777 | бумажная книга |
| Haruki Murakami | What I Talk About When I Talk About Running | In 1982, having sold his jazz bar to devote himself to writing, Murakami began running to keep fit. A year later, he`d completed a solo course from Athens to Marathon, and now, after dozens of such… — Vintage, (формат: 110x180, 192 стр.) Подробнее... | 2009 | 995 | бумажная книга |
См. также в других словарях:
Race to Berlin — Infobox Military Conflict conflict=Race to Berlin partof=World War II, Eastern Theater date=April 15, 1945 ndash; April 23, 1945 caption= The Reichstag was the target both Soviet Marshals wanted place=Germany result=Soviet arrive into Berlin… … Wikipedia
Race and inequality in the United States — In the United States there is inequality between different groups of people. The idea that there is a significant correlation between race and inequality is not a new concept. Some dispute that race is overemphasized, but historical evidence… … Wikipedia
Race and Ethnic Relations — ▪ 1995 Introduction Europe. Elections to the European Parliament in 1994 produced defeats for fascist parties in Germany and The Netherlands, with fascist or ultraright parties winning seats only in Belgium, France, and Italy. The elections … Universalium
RuPaul's Drag Race (season 2) — RuPaul s Drag Race Season 2 Logo Format Reality television Created by RuPaul Andre Charles Di … Wikipedia
The Amazing Race — sometimes referred to as TAR, is a reality television game show in which teams of two people (with one exception), who have some form of a preexisting personal relationship, race around the world in competition with other teams. Contestants stri … Wikipedia
Yogi's Space Race — Infobox Television show name = Yogi s Space Race caption = Star Wars inspired title card for Yogi s Space Race genre = Animation camera = picture format = audio format = runtime = 90 minutes creator = director = Ray Patterson Carl Urbano producer … Wikipedia
