Книга: Jonathan Culler «Barthes: A Very Short Introduction (Very Short Introductions)»
This acclaimed short study, originally published in 1983, and now thoroughly updated, elucidates the varied theoretical contributions of Roland Barthes (1915-80), the 'incomparable enlivener of the literary mind' whose lifelong fascination was with the way people make their world intelligible. He has a multi-faceted claim to fame: to some he is the structuralist who outlined a 'science of literature', and the most prominent promoter of semiology; to others he stands not for science but pleasure, espousing a theory of literature which gives the reader a creative role. This book describes the many projects, which Barthes explored and which helped to change the way we think about a range of cultural phenomena - from literature, fashion, wrestling, and advertising to notions of the self, of history, and of nature. Издательство: "Oxford University Press" (2002)
ISBN: 0192801597 Купить за 492.3 руб на Озоне |
Jonathan Culler
Jonathan Culler (born 1944) is Class of 1966 Harvard graduate and Professor of English at Cornell University. He is an important figure of the
Background and career
Culler attended Culler was Fellow in French and Director of Studies in Modern Languages at Currently, he is Class of 1916 Professor of English and Comparative Literature at Major works Inspired by the monumental linguistic theories of Culler’s contribution to the In a book recently published in 2007, "The Literary in Theory", Culler responds to the greater notion of Contributions to critical theory Culler proposes that he can provide a more thorough account of the use of ;Reader-response criticismCuller proposes that we use literary theory not necessarily to try to understand a text but rather to investigate the activity of interpretation. We should give more weight to the active participation of the reader. In several of his works, he speaks of a reader who is particularly "competent". In order to understand how we make sense of a text, Culler intends to identify common elements that all readers immediately treat differently in different texts. He suggests there are two classes of readers, “the readers as field of experience for the critic (himself a reader)” and the future readers who will benefit from the work the critic and previous readers have done. Critics of Culler’s theories cite his lack of distinction between literature and the institution of writing in general. Bibliography ;Selected Publications * "Flaubert: The Uses of Uncertainty." London: Elek Books; Ithaca: Cornell University Press, 1974. Revised edition: Cornell University Press, 1985. ee also * Notes ources *http://www.mla.org/resources/awards/awards_winners/pastwinners_annual/pastwinners_lowell Источник: Jonathan Culler
* "Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature." London: Routledge and Kegan Paul; Ithaca: Cornell University Press, 1975. Revised edition: Routledge Classics, 2002. Spanish, Japanese, Portuguese, Chinese, and Croatian translations.
* "Saussure" (American Title: "Ferdinand de Saussure"). London: Fontana; Brighton: Harvester, 1976. New York: Penguin, 1977. Second revised edition, Ithaca: Cornell University Press, 1986; London: Fontana, 1987. Japanese, Serbian, Slovenian, Portuguese, Turkish, and Finnish translations.
* "The Pursuit of Signs: Semiotics, Literature, Deconstruction." London: Routledge and Kegan Paul; Ithaca: Cornell University Press, 198l. Revised edition, "Routledge Classics," Routledge, 2001, Cornell University Press, 2002. Japanese translation.
* "On Deconstruction: Theory and Criticism after Structuralism." Ithaca: Cornell University Press, 1982; London: Routledge, 1983. Japanese, Spanish, Italian, German, Portuguese, Serbian, Chinese, Polish, Korean, Hungarian, and Czech translations.
* "Barthes" (American Title: "Roland Barthes"). London: Fontana; New York: Oxford University Press, 1983. Japanese, Portuguese, and Chinese translations. Revised and expanded edition, Roland Barthes: A Very Short Introduction, OUP, Oxford, 2001.
* ed. "The Call of the Phoneme: Puns and the Foundations of Letters." Oxford: Blackwells, and Norman: University of Oklahoma Press, 1987.
* "Framing the Sign: Criticism and Its Institutions." Oxford: Blackwells, and Norman, U of Oklahoma Press, 1988. Japanese translation.
* "Literary Theory: A Very Short Introduction." Oxford: Oxford University Press, 1997; reedition 1999. Polish, Chinese, Korean, Portuguese, Italian, German, Spanish, Croatian, Japanese, Romanian, and Latvian translations.
* Ed., with Kevin Lamb, "Just Being Difficult? Academic Writing in the Public Arena." Stanford: Stanford University Press, 2003.
* Ed. "Deconstruction: Critical Concepts", 4 vols. London: Routledge, 2003.
* Ed. with Pheng Cheah, "Grounds of Comparison: Around the Work of Benedict Anderson." Routledge, 2003.
* "Barthes: A Very Short Introduction"
* "Apostrophe"
*Beers, Terry. "Reading Reading Constraints: Conventions, Schemata, and Literary Interpretation" "Diacritics: A Review of Contemporary Criticism" 18 (1988): 82-93.
*Culler, J. "The Literary in Theory" Stanford: Stanford University Press, 2007.
*Culler, J. "Literary Theory: A Very Short Introduction" New York: Oxford University Press, 1997.
*Culler, J. "Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature" London: Routledge and Kegan Paul; Ithaca: Cornell University Press, 1975. Revised edition: Routledge Classics, 2002
*Gorman, D. "Theory of What?" Rev. of "Literary Theory: A Very Short Introduction", Jonathan Culler. "Philosophy and Literature" 23.1 (1999): 206-216
*Schauber, E. & Spolsky, E. "Stalking a Generative Poetics" "New Literary History: A Journal of Theory and Interpretation" 12.3 (1981): 397-413.
*Schleifer, R. & Rupp, G. "Structuralism" "The Johns Hopkins Guide to Literary Theory and Criticism" 2nd ed. (2005).
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