Книга: Tony Chan Carusone, David Johns, Kenneth Martin «Analog Integrated Circuit Design»

Analog Integrated Circuit Design

The 2nd Edition of Analog Integrated Circuit Design focuses on more coverage about several types of circuits that have increased in importance in the past decade. Furthermore, the text is enhanced with material on CMOS IC device modeling, updated processing layout and expanded coverage to reflect technical innovations. CMOS devices and circuits have more influence in this edition as well as a reduced amount of text on BiCMOS and bipolar information. New chapters include topics on frequency response of analog ICs and basic theory of feedback amplifiers.

Издательство: "John Wiley and Sons, Ltd" (2013)

Формат: 190x235, 820 стр.

ISBN: 978-1-118-09233-0

Купить за 3079.8 руб на Озоне

David Johns

David Johns (born 1948) is a Dine' painter from the Seba Dalkai, Arizona, United States.[1]

Contents

Background

He was born in Winslow, Arizona. As a child, David spent many hours with his grandmother herding sheep through their land. During these years, she passed on to David the teachings her grandparents had given to her. She taught him how to respect and care for the land, plants and animals who enable the Navajo to live, and told him many of the stories that explain how the Navajo came to be and where his parents clans originated. David received formal training in fine arts from Northern Arizona University, earning a Bachelor's Degree in 1982. In 1996, he was awarded an Honorary Doctorate Degree in Humane Letters from Northern Arizona University.[2]

Artwork

By the time he was five years old, David viewed the world through the eyes of an artist, and he started selling portraits and landscapes while still in high school. His work combines his formal training with the traditional teachings he learned as a child and the Navajo philosophy of life by which he lives. The symmetry of David's paintings reflect this harmony and balance; the colors and textures he creates reflect the beauty of the land from which he comes. His abstract paintings capture life's subtle phenomena such as the sunlight at different times of the day or the emotions brought by each of the four seasons.[3]

In 1987, David was approached by long-time mentor Lovena Ohl and Albert Wareing to paint a mural on the dome of Concord Place. The mural covered thirty-six feet in diameter and rose 50 feet in the air, and took 18 months to paint. The mural depicts native peoples in all four directions, presenting indigenous designs and symbols, and portraits of great leaders such as Crazy Horse and Quanah Parker.[4] Noted author N. Scott Momaday wrote of his work at Concord Place, "David Johns is a seer, and he comes very honestly by that gift. In his remarkable artwork, he enables us to see as well. His gift becomes our gift. Here is the essential spirit of creation."[5]

Beginning in 1976, David's work has been exhibited at gallery shows all over the world, with many solo exhibitions including Navajo Tribal Museum, Window Rock, Arizona (1977); C.G. Rein Galleries, Santa Fe, New Mexico (1984); The Concord Place, Phoenix, Arizona (1987); Millicent Rogers Museum, Taos, New Mexico (1993); Palais de Nations, United Nations, Geneva, Switzerland (1999); and the Lanning Gallery, Sedona, Arizona (2006).[6]

David is the Vice President of the Diné Hataałii Association, an organization of Navajo Medicine Men and Women.

Notes

  1. ^ Jacka et al, 15
  2. ^ Jacka et al, 24
  3. ^ Touchette et al, 74
  4. ^ Iverson et al, 316
  5. ^ Jacka et al, 1
  6. ^ http://www.artnet.com/artist/722746/david-johns.html

References

  • Jacka, Lois Essary, Jerry Jacka, N. Scott Momaday. David Johns: On The Trail Of Beauty. Scottsdale, AZ: Snailspace Publishing Inc., 1991. Library of Congress 91-60780.
  • Touchette, Charleen, Suzanne Deats, Nancy Stem. NDN Art: Contemporary Native American Art. Albuquerque, NM: Fresco Fine Art

Publications Inc., 2003. ISBN 0-9741023-2-6

External links

Источник: David Johns

Kenneth Martin

Kenneth Martin (born 13 April 1905 in Sheffield - died 1984) was an English painter and sculptor who along with his wife Mary Martin and Victor Pasmore was a leading figure in the revival of Constructivism in Britain and America in the 1940s.

After part time study at Sheffield School of Art Martin won a scholarship to the Royal College of Art in 1929 -32 where he met Mary Balmford (1907-1969). The pair married. In the 1930s he painted in a naturalistic style and was associated with the Euston Road School and with Pasmore was a member of the London Group. During the 1940s Martin’s work began to emphasise elements of structure and design until 1948-9 when following Pasmore’s lead he became purely abstract. “The moment I became a purely abstract artist I began to realise what I had been missing....That I’d really missed the whole of the modern movement’’. Martin's first constructions appeared in 1951 and he became known for his mobile works and kinetic sculpture.

Martin’s particular interest became Geometric Abstraction. Kenneth and Mary Martin along with Pasmore exhibited together in a number of group exhibitions during the 1950s including "This Is Tomorrow". Kenneth and Mary had a joint exhibition at the I.C.A. in 1960.

In the 1960s Kenneth Martin ran a course at Barry summer school and recruited his ex-student Peter Lowe as a teaching assistant.

There is a stainless steel fountain by Kenneth Martin at Brixton Day College in South London.

An exhibition of the work of Kenneth and Mary Martin was mounted at the Tate St Ives in 2007 [ [http://www.tate.org.uk/stives/exhibitions/constructed-works/default.shtm TATE exhibition: Kenneth Martin & Mary Martin: Constructed Works:6 October 2007 – 13 January 2008] ] .

References

Источник: Kenneth Martin

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