Книга: Shel Silverstein «Runny Babbit: A Billy Sook»
Runny Babbit lent to wunch And heard the saitress way, "We have some lovely stabbit rew - Our Special for today" . Welcome to the world of Runny Babbit and his friends Toe Jurtle, Skertie Gunk, Rirty Dat, Dungry Hog, Snerry Jake, and many others who speak a topsy-turvy language all their own. It's filled with the most amazing adventures and tongue-twisting rhymes imaginable. And, what's more, Shel Silverstein wrote this yook especially for bou. Издательство: "Particular Books" (2011) Формат: 175x225, 90 стр.
ISBN: 978-1-846-14386-1 Купить за 1248 руб на Озоне |
Shel Silverstein
Infobox Writer
name = Shel Silverstein
caption =
birthdate = birth date|1930|9|25|mf=y
birthplace =
deathdate = death date and age|1999|5|10|1930|9|25
deathplace =
occupation =
Short story writer
nationality = American
genre =
movement =
notableworks = "Where the Sidewalk Ends"
Sheldon Alan "Shel" Silverstein (September 25, 1930 – May 10, 1999) was an American poet, songwriter, musician, composer, cartoonist, screenwriter and author of children's books. He sometimes styled himself as Uncle Shelby especially for his early children's books.
Silverstein confirmed he never studied the poetry of others, and therefore developed his own style: laid-back and conversational, occasionally employing profanity, and slang.
Biography
He is most commonly known for writing and illustrating his
In 2005, "", was published posthumously. As the title suggests, every poem and illustration in the book consists of
Writings
Silverstein's work did not include writing for children when he first began his career, but his editor Ursula Nordstrom encouraged Silverstein to write children's poetry. After having used his clever, silly ideas in his first book, Silverstein decided that he enjoyed the product and wanted to do it again.
A blurb by Otto Penzler from his crime anthology "Murder for Revenge" (1998) states:
"The phrase "Renaissance man" tends to get overused these days, but apply it to Shel Silverstein and it practically begins to seem inadequate. Not only has he produced with seeming easecountry music hits and popular songs, but he's been equally successful at turning his hand to poetry, short stories, plays, and children's books. Moreover, his whimsically hip fables, beloved by readers of all ages, have made him a stalwart of bestseller lists. "A Light in the Attic," most remarkably, showed the kind of staying power on the "New York Times" chart—two years, to be precise—that most of the biggest names (John Grisham ,Stephen King , andMichael Crichton ) have never equaled for their own blockbusters.And there's still more: his unmistakable illustrative style is another crucial element to his appeal. Just as no writer sounds like Shel, no other artist's vision is as delightfully, sophisticatingly cockeyed.
One can only marvel that he makes the time to respond so kindly to his friends' requests. In the following work, let's be glad he did. Drawing on his characteristic passion for list making, he shows how the deed is not just in the wish but in the sublimation."
This anthology was the second in a series, which also included "Murder for Love" (1996) and "Murder and Obsession" (1999). All three anthologies included contributions by Shel Silverstein.
As a songwriter
Silverstein's passion for music was clear early on as he studied briefly at the
Most notably, he wrote the music and lyrics for "
Silverstein's songs, performed by
Silverstein also had a popular following on
A longtime friend of American singer and songwriter Pat Dailey, Silverstein collaborated with Dailey on the (posthumously released) 2002 "Underwater Land" album. It contains 17 children's songs written and produced by Silverstein and sung by Dailey. Silverstein also appears along with Dailey on a few tracks. The album also contains artwork by Silverstein.
Silverstein was posthumously inducted into the
As a playwright
"
*"One Tennis Shoe" - Harvey claims that his wife, Sylvia, is becoming a bag lady, but his wife claims that he is just overreacting.
*"Bus Stop" - Irwin stands on a street corner with a sign reading "bust stop" and uses the opportunity to soliloquize on the subject.
*"Going Once" - A monologue in which an auctioneer shows off a woman, who is putting herself up for auction to the highest bidder.
*"The Best Daddy" - Lisa's got the best daddy in the world. After all he bought her a pony for her birthday. Too bad he shot it dead.
*"The Lifeboat is Sinking" - Jen and Sherwin sit safely on their bed playing a game of Who-Would-You-Save-If... the family was drowning.
*"Smile" - Bender and his henchmen have found the man responsible for the phrase "Have a nice day." And they're going to make him pay.
*"Wash and Dry" - Marianne stops by the laundromat, but she's horrified to discover that her laundry hasn't been cleaned.
*"Thinking Up a New Name for the Act" - Pete hits on the phrase "Meat and Potatoes" as the perfect name for their vaudeville act.
*"Buy One, Get One Free" - Two hookers are offering the deal of the century, offering a golden opportunity to passersby in rhyme.
*"Blind Willie and the Talking Dog" - Blind Willie panhandles as his dog argues that they could use his talent to make some real money.
"Shel's Shorts" was produced in repertory as two separate evenings under the titles "Signs of Trouble" and "Shel Shocked" by the Market Theater in
The Mind of Shel Silverstein was a collection of Shel Silverstein poems from "Where the Sidewalk Ends," "A Light in the Attic," and "Falling Up," that was directed for the stage in 2007 by Jesse S. Martinez for Marana Middle School's Off Freeway Performers in Marana, Arizona.
Personal life
Silverstein had two children. His first child was daughter Shoshanna (Shanna), born
Silverstein's other child was his son Matthew, born on
Shel Silverstein died sometime during the weekend of
Interviews
Silverstein had his own view of how his life started out:
"When I was a kid—12, 14, around there—I would much rather have been a good baseball player or a hit with the girls. But I couldn't play ball, I couldn't dance. Luckily, the girls didn't want me; not much I could do about that. So, I started to draw and to write. I was also lucky that I didn't have anybody to copy, be impressed by. I had developed my own style, I was creating before I knew there was a Thurber, a Benchley, a Price and a Steinberg. I never saw their work till I was around 30. By the time I got to where I was attracting girls, I was already into work, and it was more important to me. Not that I wouldn't rather make love, but the work has become a habit."
--(Jean F. Mercier. "Shel Silverstein", "
Silverstein did not really care to conform to any sort of norm, but he did want to leave his mark for others to be inspired by:
"I would hope that people, no matter what age, would find something to identify with in my books, pick up one and experience a personal sense of discovery. That's great. But for them, not for me. I think that if you're creative person, you should just go about your business, do your work and not care about how it's received. I never read reviews because if you believe the good ones you have to believe the bad ones too. Not that I don't care about success. I do, but only because it lets me do what I want. I was always prepared for success but that means that I have to be prepared for failure too.--Shel Silverstein, from "Publishers Weekly",I have an ego, I have ideas, I want to be articulate, to communicate but in my own way. People who say they create only for themselves and don't care if they are published...I hate to hear talk like that. If it's good, it's too good not to share. That's the way I feel about my work.So I'll keep on communicating, but only my way. Lots of things I won't do. I won't go on television because who am I talking to?
Johnny Carson ? The camera? Twenty million people I can't see? Uh-uh. And I won't give any more interviews."
The few interviews he did give throughout his life gave insight to his thinking patterns. One example of these interviews:
Question: "Why do you have a beard?" Shel: "I don't have a beard. It's just the light; it plays funny tricks." Question: "How do you think your present image as world traveler, bawdy singer, etc. combines with your image as a writer of children's books?" Shel: "I don't think about my image." Question: "Do you admit that your songs and drawings have a certain amount of vulgarity in them?" Shel: "No, but I hope they have a certain amount of realism in them." Question: "Do you shave your head for effect or to be different, or to strike back at the long-haired styles of today? Shel: "I don't explain my head."--(1965) from the album "I'm So Good That I Don't Have to Brag".
Books
* "Grab Your Socks!" (1956)
* "Now Here's My Plan" (1960)
* "
* "A Playboy's Teevee Jeebies oh la la" (1961)
* "" (1963)
* "A Giraffe and a Half" (1964)
* "
* "Who Wants a Cheap Rhinoceros?" (1964)
* "Uncle Shelby's Zoo" (1964)
* "More Playboy's Teevee Jeebies" (1965)
* "Where the Sidewalk Ends" (1974)
* "The Missing Piece" (1976)
* "Different Dances" (1979)
* "
* "The Missing Piece Meets the Big O" (1984)
* "Falling Up" (1996)
* "Draw a Skinny Elephant" (1998)
* "
* "Don't Bump the Glump! and Other Fantasies" (2008, originally published in 1964)
Silverstein believed that written works needed to be read on paper – the correct paper for the particular work. He usually would not allow his poems or stories to be published unless he could choose the type, size, shape, color, and quality of the paper himself. Being a
Albums
* "Hairy Jazz" (
* "Inside Folk Songs" (
* "I'm So Good That I Don't Have To Brag" (
* "Drain My Brain" (Cadet Records) (1967)
* "A Boy Named Sue And Other Country Songs" (
* " Freakin' At The Freakers Ball" (
* "Crouchin' On The Outside" (
* "Songs & Stories" (
* "The Great Conch Train Robbery" (
* "
* "
* "Underwater Land" (with Pat Dailey) (Olympia Records) (2002) (released posthumously)
* "The Best of Shel Silverstein: His Words His Songs His Friends" (
Shel Silverstein also recorded numerous unreleased songs. Some were found at A&R Recording Studio in
Popular culture references
*Canadian
*In Fox's "
*In Fox's "
*In the book, "Diary of a Wimpy Kid", it is said that Shel Silverstein "looks more like a criminal or pirate than a guy who writes poems for kids."
*A drawing from Shel Silverstein's poem "Hug O' War" can be found in the liner notes of Background by
*In an episode of "
*Shel Silverstein's book "
*Lost Reflections, a song by Progressive metal band "
References
Book
* Lisa Rogak: A Boy Named Shel. The Life and Times of Shel Silverstein (2007). ISBN 0312353596
* Flippo, Chet. (1998). "Shel Silverstein". In "The Encyclopedia of Country Music". Paul Kingsbury, Editor. New York: Oxford University Press. p. 484.
* Steve Pond: The Magical World of Shel Silverstein. PLAYBOY (US Edition) 1/2006. pp74-78 & pp 151-153.
Audio
* [http://wfmu.org/playlists/shows/15974 WFMU: Unreleased demo: Shel Silverstein: "Terrible Thing"]
German-language sites
* Andreas Weigel: [http://oe1.orf.at/highlights/58733.html Die überdrehte Welt des Shel Silverstein] . Leben, Lieder und Texte. ORF, "Spielräume spezial" (2006).
* Pop-Alphabet: [http://www.le-musterkoffer.de/alpha/drhook01.html Dr. Hook & The Medicine Show & Shel Silverstein] .
* Bernd Glodek: [http://groups.yahoo.com/group/shelsilverstein/message/757 Shel Silverstein] . Was macht dieser Mann eigentlich nicht? (1977).
* [http://www.wienerzeitung.at/Desktopdefault.aspx?TabID=3946&Alias=wzo&lexikon=Auto&letter=A&cob=199939 Zum 75. Geburtstag des Kinderbuchautors und Songwriters Shel Silverstein] . "Wiener Zeitung, Extra" (2005).
External links
* [http://www.shelsilverstein.com/indexSite.html Shel Silverstein's site]
*imdb name|id=0799060|name=Shel Silverstein
* [http://www.famouspoetsandpoems.com/ Shel Silverstein and other famous poets, their poems, photos, biography.]
* [http://www.legacyrecordings.com/Shel-Silverstein.aspx Shel Silverstein's Music (Legacy Recordings)]
* [http://www.kruegerbooks.com/books/sig/silverstein-shel.html Signature of Shel Silverstein]
Источник: Shel Silverstein
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Автор | Книга | Описание | Год | Цена | Тип книги |
---|---|---|---|---|---|
Shel Silverstein | Runny Babbit: A Billy Sook | Runny Babbit lent to wunch And heard the saitress way, "We have some lovely stabbit rew - Our Special for today" . Welcome to the world of Runny Babbit and his friends Toe Jurtle, Skertie Gunk, Rirty… — Particular Books, (формат: 175x225, 90 стр.) Подробнее... | 2011 | 1248 | бумажная книга |
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Runny Babbit — Runny Babbit: A Billy Sook is the title of the last children s book by Shel Silverstein. A work in progress for the better part of 20 years, the book was published posthumously in 2005. The book is largely composed of spoonerisms in rhyming… … Wikipedia
Spoonerism — A spoonerism is an error in speech or deliberate play on words in which corresponding consonants, vowels, or morphemes are switched (see metathesis). It is named after the Reverend William Archibald Spooner (1844–1930), Warden of New College,… … Wikipedia