Книга: Louis Untermeyer «The New Adam»

The New Adam

Серия: "-"

1920. A collection of verse by Untermeyer who wrote, edited or translated over one hundred books including several volumes of his own poetry. He held the post of Poet in Residence at the University of Michigan, University of Kansas City and Iowa State College. Книга представляет собой репринтное издание 1920 года (издательство "New York, Harcourt, Brace and Howe" ). Несмотря на то, что была проведена серьезная работа по восстановлению первоначального качества издания, на некоторых страницах могут обнаружиться небольшие" огрехи" :помарки, кляксы и т. п.

Издательство: "Книга по Требованию" (1920)

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Louis Untermeyer

Louis Untermeyer (October 1 1885 - December 18 1977) was an American author, poet, anthologist, and editor.

Life

Louis Untermeyer was born in New York City. He married Jean Starr in 1906. Their son Richard was born in 1907 and died under uncertain circumstances in 1927. After a 1926 divorce, they were reunited in 1929, after which they adopted two sons, Laurence and Joseph. He married the poet Virginia Moore in 1927; their son, John Moore Untermeyer (1928), was renamed John Fitzallen Moore after a painful 1929 divorce.

In the 1930s, he divorced Jean Starr Untermeyer and married Esther Antin. This relationship also ended in divorce in 1945 [ [http://query.nytimes.com/gst/fullpage.html?res=9B01E1D61238F93BA35752C0A965948260 Esther Untermeyer, 88; A Zionist and Ex-Judge - New York Times ] ] . In 1948, he married Bryna Ivens, an editor of "Seventeen" magazine.

He was well known for his wit and his love of puns. For a while, he held Marxist beliefs, writing for magazines such as "The Masses", through which he advocated that the United States stay out of World War I. After the suppression of that magazine by the U.S. government, he joined The Liberator, published by the Workers Party of America. Later he wrote for the independent socialist magazine "The New Masses".

He was a co-founder of "The Seven Arts", a poetry magazine that is credited for introducing many new poets, including Robert Frost, who became Untermeyer's long-term friend and correspondent.

In 1950, he was a panelist during the first year of "What's My Line?". According to Bennett Cerf, Untermeyer would sign virtually any piece of paper that someone placed in front of him, and Untermeyer inadvertently signed a few Communist proclamations. [Interview of Bennett Cerf by Robert Hawkins for the Columbia University Libraries Oral History Research Office, Session 16, January 23, 1968 http://www.columbia.edu/cu/lweb/digital/collections/nny/cerfb/audio_transcript.html] According to Cerf, Untermeyer was not at all a communist, but he had joined several suspect societies that made him stand out. [Id. at p. 732] He was named during the hearings by the House Committee on Un-American Activities investigating communist subversion. The Catholic War Veterans and "right wing organizations" began hounding Mr. Untermeyer. Goodson-Todman held out against the protests of Untermeyer as long as they could, but finally veterans began picketing the theater. The pressure became too great, and the sponsor Jules Montenier said, “After all, I'm paying a lot of money for this. I can't afford to have my product picketed.” Id. at p. 733] At that point, the producers had no choice but to tell Untermeyer that he had to leave the program. So reluctantly they had to tell Untermeyer that he had to leave the program. This action led to Bennett Cerf becoming a permanent member of the program.

The controversy surrounding Untermeyer led to him being blacklisted by industry.

He was the author or editor of close to 100 books, from 1911 until his death. Many of them and his other memorabilia are preserved in a special section of the Lilly Library at the Indiana University.

Schools used his Modern American and British poetry books widely, and they often formed students' introduction to poetry. He and Bryna Ivens Untermeyer created a number of books for young people, under the Golden Treasury of Children's Literature. He lectured on literature for many years, both in the US and other countries.

In 1956 the Poetry Society of America awarded Untermeyer a Gold Medal. He also served as a Poet Laureate Consultant in Poetry to the Library of Congress from 1961 until 1963.

Books

Anthologies

*Modern American Poetry (1919) (6th edition, 1942)
*Modern British Poetry (1920) (5th edition, 1942)
*Modern American and British Poetry (1919)
*Yesterday and Today (1926)
*New Songs for New Voices (1928), with Clara and David Mannes, illustrated by Peggy Bacon
*A Treasury of Great Poems (1942, 1955)
*The Golden Treasury of Poetry (1959), illustrated by Joan Walsh Anglund
*Story Poems (1946, 1972)
*Early American Poets (1952)
*An Uninhibited Treasury of Erotic Poetry (1963)
*A Galaxy of Verse (1978)
*Men and Women: the Poetry of Love (1970), illustrated by Robert J. Lee
*Collins Albatross Book of Verse (1933, 1960)
*Stars To Steer By (1941)
*Lots of Limericks (1961), illustrated by R. Taylor
*The Book of Living Verse (1932,1945)
*Rainbow in the Sky (1935), illustrated by Reginald Birch
*A Treasury of Laughter (1946)
*An Anthology of New England Poets (1948)
*The Best Humor of 1949-1950 (with Ralph E. Shikes, 1950)
*The Best Humor Annual (with Ralph E. Shikes, 1951)
*The Best Humor Annual (with Ralph E. Shikes, 1952)
*The Magic Circle (1952)
*A Treasury of Ribaldry (1956)
*Big and Little Creatures (1961), with Bryna Ivens Untermeyer
*Beloved Tales (1962), with Bryna Ivens Untermeyer
*Old Friends and Lasting favorites (1962), with Bryna Ivens Untermeyer
*Fun and Fancy (1962), with Bryna Ivens Untermeyer
*Creatures Wild and Tame (1963), with Bryna Ivens Untermeyer
*The Golden Book of Poems for the Very Young (1971)
*A Treasury of Great Humor (1972)

Poetry

*Burning Bush
*Challenge
*Coal Fire
*Disenchanted
*First Love
*Last Words Before Winter
*Leviathan
*Long Feud
*Portrait Of A Machine
*Questions At Night
*Scarcely Spring
*Summer Storm
*Thanks
*The New Adam
*These Times

Parodies

*Heavens (19??)
*Including Horace (19??)
*— And Other Poets (1916)
*Collected Parodies (1926)

Biography

*Heinrich Heine: Paradox and Poet (1937)
*Makers of the Modern World (with John Moore, 1955)
*Makers of the Modern World selections, Japanese translation (1971)

Autobiography

*From Another World (1935)
*Bygones (1965)

Fiction

*Moses (1923)
*The Fat of the Cat and Other Stories (19??)
*The Donkey of God and Other Stories (1932)
*The Kitten Who Barked (1962), illustrated by Lilian Obligado
*The Second Christmas (1964), illustrated by Louis Marak
*Cat O' Nine Tales (1971), illustrated by Lawrence DiFiori

Adaptations, Translations

*Poems of Heinrich Heine (19??)
*The Wonderful Adventures of Paul Bunyan (1946), illustrated by Everett Gee Jackson
*More French Fairy Tales (1946), illustrated by Gustave Doré
*Cyrano de Bergerac (1954), illustrated by Pierre Brissaud
*Aesop's Fables (1965), illustrated by A. and M. Provensen
*Songs of Joy from the Book of Psalms (1967), illustrated by Joan Berg Victor
*Tales from the Ballet (1968), illustrated by A. and M. Provensen
*A Time for Peace (1969), illustrated by Joan Berg Victor
*The World's Great Stories (1964)
*The Firebringer (1968)
*Lines to a Pomeranian Puppy Valued at $3500 (1950), musical adaptation of Untermeyer poem by Irving Ravin

Essays

*American Poetry Since 1900 (19??)
*The Forms Of Poetry (1926)
*Play in Poetry (1938)
*Doorways to Poetry (1938)
*The Lowest Form of Wit (1947)
*The Pursuit of Poetry (1969)

Critical Collections

*The Poems of Henry Wadsworth Longfellow (1943)
*The Poetry and Prose of Walt Whitman (1949)
*The Letters of Robert Frost to Louis Untermeyer (1963);
*The Love Poems of Elizabeth and Robert Browning (1994)
*The Love Poems of Robert Herrick and John Donne (1948)

References

External links

cite web
title = Louis Untermeyer
work = biography, with anecdote by Arthur Miller
publisher = Spartacus
date =
url = http://www.spartacus.schoolnet.co.uk/USAuntermeyer.htm
format = HTML
accessdate = 2006-10-16

Источник: Louis Untermeyer

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