Книга: Maupassant Guy de «Aux champs et autres nouvelles realistes»
|
Серия: "Classiques&Cie" Aux champs et autres nouvelles realistes "On n'entendit plus du tout parler du petit Jean Vallin. Les parents, chaque mois, allaient toucher leur cent vingt francs chez le notaire ; et ils etaient faches avec leurs voisins parce que la mere Tuvache les agonisait d'ignominies." Six nouvelles : quatre ont pour cadre la campagne normande (Aux champs, Le Vieux, Toine, Le Pere Amable) ; deux, le Paris de la petite bourgeoisie de la fin du XIXe siecle (En famille, Deux amis). Six recits realistes et savoureux, dans lesquels Maupassant est au sommet de son art. Des complements special cinemades extraits des scenarios de la serie Chez Maupassant (2007-2011)des photogrammes en couleursdes pistes d'ateliers cinemaLe dossierSix nouvelles realistesdes reperes sur le contexte et le genre de l'oeuvreun parcours de lecture en 7 etapesun groupement de documents sur le theme du portrait realisteL'enqueteComment vivait-on a la campagne au XIXe siecle ?une enquete tres documentee sur la vie dans la campagne normande a l'epoque de MaupassantEt sur le sitewww. classiques-et-cie. com(en acces gratuit reserve aux enseignants)le guide pedagogique Издательство: "Hatier" (2019)
ISBN: 978-2-401-02819-7 Купить за 576 руб в Лабиринте |
Другие книги автора:
| Книга | Описание | Год | Цена | Тип книги |
|---|---|---|---|---|
| Afloat (Sur l'eau) | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| Lettres De Gustave Flaubert A George Sand (French Edition) | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| La Vie Errante And Other Stories | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| Pierre and Jean and other stories | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| Love and other stories. Translated by Michael Monahan | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| Selection from the writings of Guy de Maupassant | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| Une vie | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| Une vie, and other stories | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| Mademoiselle Fifi, and twelve other stories | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| The life work of Henri Rene Guy de Maupassant | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| Yvette and other stories | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| The life work of Henri Rene Guy de Maupassant, embracing romance, comedy&verse, for the first time complete in English | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| ... Pierre and Jean (Peter and John) by Guy De Maupassant... | Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее... | бумажная книга | ||
| The Best Short Stories | With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. Guy de Maupassant was a master of the short story. This collection displays his lively diversity, with… — Wordsworth, Wordsworth Classics Подробнее... | бумажная книга | ||
| Contes normands et parisiens | — Hachette FLE, - Подробнее... | бумажная книга |
Maupassant, Guy de
▪ French writer
Introduction
in full Henry-René-Albert-Guy de Maupassant
born August 5, 1850, Château de Miromesnil?, near Dieppe, France
died July 6, 1893, Paris
French naturalist writer of short stories and novels who is by general agreement the greatest French short-story writer.
Early life
Maupassant was the elder of the two children of Gustave and Laure de Maupassant. His mother's claim that he was born at the Château de Miromesnil has been disputed. The couple's second son, Hervé, was born in 1856.
Both parents came of Norman families, the father's of the minor aristocracy, but the marriage was a failure, and the couple separated permanently when Guy was 11 years old. Although the Maupassants were a free-thinking family, Guy received his first education from the church and at age 13 was sent to a small seminary at Yvetot that took both lay and clerical pupils. He felt a decided antipathy for this form of life and deliberately engineered his own expulsion for some trivial offense in 1868. He moved to the lycée at Le Havre and passed his baccalaureate the following year. In the autumn of 1869 he began law studies in Paris, which were interrupted by the outbreak of the Franco-German War. Maupassant volunteered, served first as a private in the field, and was later transferred through his father's intervention to the quartermaster corps. His firsthand experience of war was to provide him with the material for some of his finest stories.
Maupassant was demobilized in July 1871 and resumed his law studies in Paris. His father came to his assistance again and obtained a post for him in the Ministry of Marine, which was intended to support him until he qualified as a lawyer. He did not care for the bureaucracy but was not unsuccessful and was several times promoted. His father managed to have him transferred, at his own wish, to the Ministry of Public Instruction in 1879.
Apprenticeship with Flaubert
Maupassant's mother, Laure, was the sister of Alfred Le Poittevin, who had been a close friend of Gustave Flaubert (Flaubert, Gustave), and she herself remained on affectionate terms with the novelist for the rest of his life. Laure sent her son to make Flaubert's acquaintance at Croisset in 1867, and when he returned to Paris after the war, she asked Flaubert to keep an eye on him. This was the beginning of the apprenticeship that was the making of Maupassant the writer. Whenever Flaubert was staying in Paris, he used to invite Maupassant to lunch on Sundays, lecture him on prose style, and correct his youthful literary exercises. He also introduced him to some of the leading writers of the time, such as Émile Zola (Zola, Émile), Ivan Turgenev (Turgenev, Ivan Sergeyevich), Edmond Goncourt (Goncourt, Edmond and Jules), and Henry James (James, Henry). “He's my disciple and I love him like a son,” Flaubert said of Maupassant. It was a concise description of a twofold relationship: if Flaubert was the inspiration for Maupassant the writer, he also provided the child of a broken marriage with a foster father. Flaubert's sudden and unexpected death in 1880 was a grievous blow to Maupassant.
Zola described the young Maupassant as a “terrific oarsman able to row fifty miles on the Seine in a single day for pleasure.” Maupassant was a passionate lover of the sea and of rivers, which accounts for the setting of much of his fiction and the prevalence in it of nautical imagery. In spite of his lack of enthusiasm for the bureaucracy, his years as a civil servant were the happiest of his life. He devoted much of his spare time to swimming and to boating expeditions on the Seine. One can see from a story like "Mouche" (1890; "Fly" ) that the latter were more than merely boating expeditions and that the girls who accompanied Maupassant and his friends were usually prostitutes or prospective prostitutes. Indeed, there can be little doubt that the early years in Paris were the start of his phenomenal promiscuity.
When Maupassant was in his early 20s, he discovered that he was suffering from syphilis, one of the most frightening and widespread maladies of the age. The fact that his brother died at an early age of the same disease suggests that it might have been congenital. Maupassant was adamant in refusing to undergo treatment, with the result that the disease was to cast a deepening shadow over his mature years and was accentuated by neurasthenia, which had also afflicted his brother.
During his apprenticeship with Flaubert, Maupassant published one or two stories under a pseudonym in obscure provincial magazines. The turning point came in April 1880, the month before Flaubert's death. Maupassant was one of six writers, led by Zola, who each contributed a short story on the Franco-German War to a volume called Les Soirées de Médan. Maupassant's story, "Boule de suif" (“Ball of Fat”), was not only by far the best of the six, it is probably the finest story he ever wrote. In it, a prostitute traveling by coach is companionably treated by her fellow French passengers, who are anxious to share her provisions of food, but then a German officer stops the coach and refuses to let it proceed until he has possessed her; the other passengers induce her to satisfy him, and then ostracize her for the rest of the journey. "Boule de suif" epitomizes Maupassant's style in its economy and balance.
Mature life and works
As soon as "Boule de suif" was published, Maupassant found himself in demand by newspapers. He left the ministry and spent the next two years writing articles for Le Gaulois and the Gil Blas. Many of his stories made their first appearance in the latter newspaper. The 10 years from 1880 to 1890 were remarkable for their productivity; he published some 300 short stories, six novels, three travel books, and his only volume of verse.
La Maison Tellier (1881; “The Tellier House”), a book of short stories on various subjects, is typical of Maupassant's achievement as a whole, both in his choice of themes and in his determination to present men and women objectively in the manifold aspects of life. His concern was with l'humble vérité—words which he chose as the subtitle to his novel Une Vie (1883; A Woman's Life). This book, which sympathetically treats its heroine's journey from innocent girlhood through the disillusionment of an unfortunate marriage and ends with her subsequent widowhood, records what Maupassant had observed as a child, the little dramas and daily preoccupations of ordinary people. He presents his characters dispassionately, foregoing any personal moral judgment on them but always noting the word, the gesture, or even the reticence that betrays each one's essential personality, all the while enhancing the effect by describing the physical and social background against which his characters move. Concision, vigour, and the most rigorous economy are the characteristics of his art.
Collections of short stories and novels followed one another in quick succession until illness struck Maupassant down. Two years saw six new books of short stories: Mademoiselle Fifi (1883), Contes de la bécasse (1883; “Tales of the Goose”), Clair de lune, Les Soeurs Rondoli (“The Rondoli Sisters”), Yvette, and Miss Harriet (all 1884). The stories can be divided into groups: those dealing with the Franco-German War, the Norman peasantry, the bureaucracy, life on the banks of the Seine River, the emotional problems of the different social classes, and—somewhat ominously in a late story such as "Le Horla" (1887)—hallucination. Together, the stories present a comprehensive picture of French life from 1870 to 1890.
Maupassant's most important full-length novels are Une Vie, Bel-Ami (1885; “Good Friend”), and Pierre et Jean (1888). Bel-Ami is drawn from the author's observation of the world of sharp businessmen and cynical journalists in Paris, and it is a scathing satire on a society whose members let nothing stand in the way of their ambition to get rich quick. Bel-Ami, the amiable but amoral hero of the novel, has become a standard literary personification of an ambitious opportunist. Pierre et Jean is the tale of a man's tragic jealousy of his half-brother, who is the child of their mother's adultery.
Maupassant prospered from his best-sellers and maintained an apartment in Paris with an annex for clandestine meetings with women, a house at Étretat, a couple of residences on the Riviera, and several yachts. He began to travel in 1881, visiting French Africa and Italy, and in 1889 he paid his only visit to England. While lunching in a restaurant there as Henry James's guest, he shocked his host profoundly by pointing to a woman at a neighbouring table and asking James to “get” her for him.
The French critic Paul Léautaud called Maupassant a “complete erotomaniac.” His extraordinary fascination with brothels and prostitution is reflected not only in "Boule de suif" but also in stories such as "La Maison Tellier." It is significant, however, that as the successful writer became more closely acquainted with women of the nobility there was a change of angle in his fiction: a move from the peasantry to the upper classes, from the brothel to the boudoir. Maupassant's later books of short stories include Toine (1886), Le Horla (1887), Le Rosier de Madame Husson (1888; “The Rose-Bush of Madame Husson”), and L'Inutile Beauté (1890; “The Useless Beauty”). Four more novels also appeared: Mont-Oriol (1887), on the financing of a fashionable watering place; Pierre et Jean; Fort comme la mort (1889; “As Strong as Death”); and Notre coeur (1890; “Our Heart”).
Although Maupassant appeared outwardly a sturdy, healthy, athletic man, his letters are full of lamentations about his health, particularly eye trouble and migraine headaches. With the passing of the years he had become more and more sombre. He had begun to travel for pleasure, but what had once been carefree and enjoyable holidays gradually changed, as a result of his mental state, into compulsive, symptomatic wanderings until he felt a constant need to be on the move.
A major family crisis occurred in 1888. Maupassant's brother was a man of minimal intelligence—today one would call it arrested development—and could work at nothing more demanding than nursery gardening. In 1888 he suddenly became violently psychotic, and he died in an asylum in 1889. Maupassant was reduced to despair by his brother's death; but though his grief was genuine, it cannot have been unconnected with his own advanced case of syphilis. On January 2, 1892, when he was staying near his mother, he tried to commit suicide by cutting his throat. Doctors were summoned, and his mother agreed reluctantly to his commitment. Two days later he was removed, according to some accounts in a straitjacket, to Dr. Blanche's nursing home in Paris, where he died one month before his 43rd birthday.
Maupassant's work is thoroughly realistic. His characters inhabit a world of material desires and sensual appetites in which lust, greed, and ambition are the driving forces, and any higher feelings are either absent or doomed to cruel disappointment. The tragic power of many of the stories derives from the fact that Maupassant presents his characters, poor people or rich bourgeois, as the victims of ironic necessity, crushed by a fate that they have dared to defy yet still struggling against it hopelessly.
Because so many of his later stories deal with madness, it has been suggested that Maupassant himself was already mentally disturbed when he wrote them. Yet these stories are perfectly well balanced and are characterized by a clarity of style that betrays no sign of mental disorder. The lucid purity of Maupassant's French and the precision of his imagery are in fact the two features of his work that most account for its success.
By the second half of the 20th century, it was generally recognized that Maupassant's popularity as a short-story writer had declined and that he was more widely read in the English-speaking countries than in France. This does not detract from his genuine achievement—the invention of a new, high-quality, commercial short story, which has something to offer to all classes of readers.
Martin Turnell René Dumesnil
Additional Reading
Biographies include Francis Steegmuller, Maupassant: A Lion in the Path (1949, reissued 1972); and Michael Lerner, Maupassant (1975). Criticism includes E.D. Sullivan, Maupassant the Novelist (1954, reprinted 1978), and Maupassant: The Short Stories (1962); Trevor A. Le V. Harris, Maupassant in the Hall of Mirrors (1990); and Laurence A. Gregorio, Maupassant's Fiction and the Darwinian View of Life (2005).
* * *
Источник: Maupassant, Guy de
См. также в других словарях:
Période d'Uruk — Masse d armes de la période d Uruk, Tello, v. 3500–2900 av. J. C., Musée du Louvre. La période d Uruk est un stade de développement protohistorique de la Mésopotamie, qui couvre en gros le IVe millénaire av. J. C. Comme son nom l indique, elle a… … Wikipédia en Français
Litterature birmane — Littérature birmane La littérature birmane s étend du XIIe siècle à nos jours. D apparition relativement récente, elle s est nourrie d apports extérieurs qu elle a assimilés et fait siens: langues et littératures Pāli, Môn, Thaï pour sa… … Wikipédia en Français
Littérature Birmane — La littérature birmane s étend du XIIe siècle à nos jours. D apparition relativement récente, elle s est nourrie d apports extérieurs qu elle a assimilés et fait siens: langues et littératures Pāli, Môn, Thaï pour sa période classique,… … Wikipédia en Français
Adam Bede — Auteur George Eliot Genre Roman Version originale Titre original Adam Bede Éditeur original William Blackwood Sons Langue originale anglais Pays d or … Wikipédia en Français
GAULE — Limitée par le Rhin, la Méditerranée, les Alpes, les Pyrénées et l’Atlantique, la Gaule est devenue le territoire celtique le plus étendu et le plus cohérent de l’Antiquité. À vrai dire, les Celtes n’y étaient autochtones que dans le tiers nord… … Encyclopédie Universelle
Guy De Maupassant — Pour les articles homonymes, voir Guy de Maupassant (homonymie). Guy de Maupass … Wikipédia en Français
