Электронная книга: Gioachino Rossini «Der Barbier von Sevilla»
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Gioachino Rossini
Gioachino Antonio Rossini [Rossini's first name is often spelled "Gioacchino." Rossini himself spelled it with either one "c" or two early in life, but eventually settled on "Gioachino." "Baker's", "Grove", and most Rossini scholars use "Gioachino."] (
Biography
Gioachino Antonio Rossini was born into a family of musicians in
Rossini's father was sympathetic to the French Revolution and welcomed Napoleon's troops when they arrived in Northern Italy. This became a problem when the
He remained at Bologna in the care of a pork butcher, while his father played the horn in the orchestras of the theatres at which his wife sang. The boy had three years' instruction in the
Education
He was taken from Prinetti and apprenticed to a blacksmith. In
In 1805 he appeared at the theatre of the Commune in
In 1806, at the age of 14, Rossini became a
Early career
Through the friendly interposition of the Marquis Cavalli, his first opera, "
The
Rossini continued to write operas for
Some older composers in Naples, notably Zingarelli and Paisiello, were inclined to intrigue against the success of the youthful composer; but all hostility was made futile by the enthusiasm which greeted the court performance of his "
The Barber of Seville "(Il barbiere di Siviglia)"
Rossini's most famous opera was produced on
Marriage and mid-career
Between 1815 and 1823 Rossini produced 20 operas. Of these "Otello" formed the climax to his reform of serious opera, and offers a suggestive contrast with the treatment of the same subject at a similar point of artistic development by the composer
Conditions of stage production in 1817 are illustrated by Rossini’s acceptance of the subject of
In 1822, four years after the production of this work, Rossini married the coloratura soprano
In 1823, at the suggestion of the manager of the King’s Theatre,
End of career
The production of his "
In 1829 he returned to
Six movements of his "
Later years
His first wife died in 1845, and on
Honors
He was a foreign associate of the Institute, grand officer of the Legion of Honour, and the recipient of innumerable orders.
Notes
In his compositions Rossini plagiarized even more freely from himself than from other musicians, and few of his operas are without such admixtures frankly introduced in the form of arias or overtures. For example, in "Il Barbiere" there is an aria for the Count (often omitted) 'Cessa di piu resistere', which Rossini used (with minor changes) in "Le Nozze di Teti e di Peleo" and in "La Cenerentola" (the cabaletta for Angelina's Rondo is almost unchanged).
A characteristic mannerism in his orchestral scoring, a long, steady build of sound, creating "tempests in teapots by beginning in a whisper and rising to a flashing, glittering storm" [Faddis, H., 2003, Program Notes for the Overture to "
Works
Operas
1810–1814
* "
* "
* "
* "
* "Ciro in Babilonia, ossia La caduta di Baldassare" ("Ciro in Babylon, or The Fall of Balthazar", 1812)
* "
* "
* "L'occasione fa il ladro, ossia Il cambio della valigia" ("The Thief's Opportunity, or The Suitcase Exchange", 1812)
* "Il signor Bruschino, ossia Il figlio per azzardo" ("Signor Bruschino, or The Gambling Son", 1813)
* "
* "
* "
* "
* "
1815–1819
* "
* "
* "Il barbiere di Siviglia, ossia L'inutile precauzione" ("The Barber of Seville, or The Useless Precaution", 1816)
*"La gazzetta, ossia Il matrimonio per concorso" ("The Newspaper, or The Marriage Contest", 1816)
* "Otello, ossia Il Moro di Venezia" ("Othello, or The Moor of Venice", 1816)
* "La Cenerentola, ossia La bontà in trionfo" ("Cinderella, or Goodness Triumphant", 1817)
*"
*"Armida" ("Armida", 1817)
*"Adelaide di Borgogna, ossia Ottone, re d'Italia' ("Adelaide of Burgundy, or Otto, King of Italy", 1817)
* "
* "Adina, ossia Il califfo di Bagdad" ("Adina, or The Caliph of Baghdad", 1818)
*"
*"
*"
* "
* "Bianca e Falliero, Il consiglio dei tre" ("Bianca and Fallière, or The Council of Three", 1819)
1820–1824
* "
* "Matilde di Shabran, ossia Bellezza e Cuor di Ferro"; also: "Mathilde di Shabran" ("Matilda of Shabran, or Beauty with a Heart of Iron", 1821)
* "
* "
1825–1829
* "Il viaggio a Reims, ossia L'albergo del Giglio d'Oro" (French: "Le voyage à Reims, ou l'Hôtel du Lys-d'Or") ("The Journey to Reims, or The Inn of the Golden Fleur-de-Lys", 1825)
*"
* "
* "Moïse et Pharaon, ou Le passage de la mer rouge" ("Moses and Pharoah, or The Passage to the Red Sea", 1827; a revision of "Mosè in Egitto")
* "
* "Guillaume Tell" (Italian: "Guglielmo Tell", "William Tell"; 1829)
Cantatas
*"Il pianto d'armonia sulla morte di Orfeo" (1808)
*"La morte di Didone" (1811)
*"Dalle quete e pallid'ombre" (1812)
*"Egle ed Irene" (1814)
*"L'aurora" (1815)
*"Le nozze di Teti e di Peleo" (1816)
*"Omaggio umiliato" (1819)
*"Cantata... 9 maggio 1819" (1819)
*"La riconoscenza" (1821)
*"Giunone" (before 1822)
*"La santa alleanza" (1822)
*"Il vero omaggio" (1822)
*"Omaggio pastorale" (1823)
*"Il pianto delle muse in morte di Lord Byron" (1824)
*"Cantata per il battesimo del figlio del banchiere Aguado" (1827)
*"L'armonica cetra del nune" (1830)
*"Giovanna d'Arco" (1832, revision 1852)
*"Cantata in onore del sommo pontefice Pio IX" (1847)
Instrumental music
* Sei sonate a quattro (1804)
* Sinfonia "al conventello" (1806)
* Cinque duets pour cor (1806)
* Sinfonia (1808, utilisée dans "l'inganno felice")
* Sinfonia (1809, utilisée dans "la cambiale di matrimonio" et "adelaide di borgogna")
* Sinfonia "obbligata a contrabasso" (1807-10)
* Variazzioni di clarinetto (1809)
* Andante e tema con variazioni (1812)
* Andante e tema con variazioni per arpa e violino (1820)
* Passo doppio 1822 (variations de l'air "di tanti palpiti" dans "tancredi")
* Valse (1823)
* Serenata (1823)
* Duetto per Violoncello e Contrabasso (1824)
* Rendez-vous de chasse (1828)
* Fantaisie (1829)
* Trois marches militaires (1837)
* Scherzo (1843)
* Tema originale di Rossini variato per violino da Giovacchino Giovacchini (1845)
* Marcia (1852)
* Thème de Rossini suivi de deux variations et coda par Moscheles père (1860)
* La corona d'Italia (1868)
Sacred music
*"
*"
*"
*"
*" Stabat mater" (first version 1832, second version 1841)
*"
*"
*"
*"
*"
ecular vocal music
* Se il vuol la molinara (1801)
* Dolce aurette che spirate (1810)
* La mia pace io già perdei (1812)
* Qual voce, quai note (1813)
* Alla voce della gloria (1813)
* Amore mi assisti (1814)
* Il trovatore (1818)
* Il carnevale di Venezia (Rome, 1821)
* Belta crudele (1821)
* La pastorella (1821)
* Canzonetta spagnuola (1821)
* Infelice ch'io son (1821)
* Addio ai viennesi (1822)
* Dall'oriente l'astro del giorno (1824)
* Ridiamo, cantiamo, che tutto sen va (1824)
* In giorno si bello (London, 1824)
* Tre quartetti da camera (1827)
* Les adieux à Rome (1827)
* Orage et beau temps (1829/30)
* La passeggiata (Madrid, 1831)
* La dichiarazione (1834)
* Les soirées musicales (1830-1835)
**
* Deux nocturnes: 1. adieu a l'Italie, 2. le départ (1836)
* Nizza (1836)
* L'âme délaissée (1844)
* Francesca da Rimini (1848)
* Mi lagnero tacendo (1858)
*
*"Vol I Album italiano"
*"Vol II Album français"
*"Vol III Morceaux réservés"
*"Vol IV Quatre hors d’œuvres et quatre mendiants"
*"Vol V Album pour les enfants adolescents"
*"Vol VI Album pour les enfants dégourdis"
*"Vol VII Album de chaumière"
*"Vol VIII Album de château"
*"Vol IX Album pour piano, violon, violoncello, harmonium et cor"
*"Vol X Miscellanée pour piano"
*"Vol XI Miscellanée de musique vocale"
*"Vol XII Quelques riens pour album"
*"Vol XIII Musique anodine"
References
Notes
Media
External links
* [http://www.fondazionerossini.org/ Fondazione G. Rossini]
* [http://www.rossinigesellschaft.de/data/pdvd.html List and text of the songs on the website of the "German Rossini Society"]
* [http://www.rossinioperafestival.it/ Rossini Opera Festival]
* [http://rossini.visioservices.de/ Rossini in Wildbad - Belcanto Opera Festival]
* [http://cylinders.library.ucsb.edu/search.php?query=Rossini%2C+Gioacchino&queryType=%40attr+1%3D1 Rossini cylinder recordings] , from the
* [http://www.classiccat.net/rossini_g/ The Rossini page at Classic Cat - the free classical music directory]
*
*
*
* [http://greatcaricatures.com/articles_galleries/gill/galleries/html/1867_0706_rossini.html 1867 Caricature of Rossini by André Gill]
* [http://humanities.uchicago.edu/orgs/ciao/ The Center for Italian Opera Studies] : Rossini critical edition
* [http://www.allmusic.com/cg/amg.dll?p=amg&sql=43:22169] - Riccardo Caramella performs Quatre Mendiants, Quatre hors d'oeuvres
*
Persondata
NAME= Rossini, Gioachino
ALTERNATIVE NAMES=Rossini, Gioachino Antonio
SHORT DESCRIPTION=Italian composer
DATE OF BIRTH=
PLACE OF BIRTH=
DATE OF DEATH=
PLACE OF DEATH=
Источник: Gioachino Rossini
См. также в других словарях:
Der Barbier von Sevilla — Werkdaten Titel: Der Barbier von Sevilla oder Die nutzlose Vorsicht Originaltitel: Il barbiere di Siviglia ossia L’inutile precauzione Originalsprache: italienisch Musik: Gioachin … Deutsch Wikipedia
Der Barbier von Sevilla oder Die nutzlose Vorsicht — Werkdaten Titel: Der Barbier von Sevilla oder Die nutzlose Vorsicht Originaltitel: Il barbiere di Siviglia ossia L’inutile precauzione Originalsprache: italienisch Musik: Gioachino Rossini Libretto … Deutsch Wikipedia
Der Barbier von Sevilla (Paisiello) — Werkdaten Titel: Der Barbier von Sevilla oder Die nutzlose Vorsicht Originaltitel: Il barbiere di Siviglia, ovvero La precauzione inutile Form: Opera buffa Originalsprache … Deutsch Wikipedia
Barbier von Sevilla — Werkdaten Titel: Der Barbier von Sevilla oder Die nutzlose Vorsicht Originaltitel: Il barbiere di Siviglia ossia L’inutile precauzione Originalsprache: italienisch Musik: Gioachino Rossini Libretto … Deutsch Wikipedia
Barbier von Sevilla, Der — [ vilja], französisch Le barbier de Séville [lə barb je də se vij], Lustspiel von P. de Beaumarchais (Uraufführung 23. 2. 1775, französische Erstausgabe 1775), das als Vorlage für zwei Opernlibretti (italienisch »Il barbiere di Siviglia«)… … Universal-Lexikon
Sevilla (Sevilla) — Sevilla Wappen Karte von Spanien … Deutsch Wikipedia