Книга: Yermakova P. (ред.) «Impressionists and Post-Impressionists»

Impressionists and Post-Impressionists

ARCA publishers present a series of small-format books that acquaint readers anew with gems of the Hermitage collection. Fascinating fragments and details that quite often escape the eye provide fresh insights into familiar paintings and drawings, sculptures, works of jewellery and archaeological finds.

Формат: Мягкая глянцевая, 219 стр.

ISBN: 9785912081958

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См. также в других словарях:

  • Post-Impressionism — Infobox Painting| title=The Centenary of Independence (Le centenaire de l indépendance) artist=Henri Rousseau year=1892 type=Oil on canvas height=57 width=110 height inch=22.4 width inch =43.3 museum=Presently in the Getty Museum in Los… …   Wikipedia

  • Post-Impressionism — Post Impressionist, adj., n. Post Impressionistic, adj. /pohst im presh euh niz euhm/, n. a varied development of Impressionism by a group of painters chiefly between 1880 and 1900 stressing formal structure, as with Cézanne and Seurat, or the… …   Universalium

  • Post-impressionism — Post im*pres sion*ism, n. (Painting) In the broadest sense, the theory or practice of any of several groups of painters of the early 1900 s, or of these groups taken collectively, whose work and theories have in common a tendency to reaction… …   The Collaborative International Dictionary of English

  • Post-Impressionismus — Vincent van Gogh, Weizenfeld mit Zypressen, 1889 Post Impressionismus ist eine Sammelbezeichnung für verschiedene Stile der Malerei, die zwischen 1880 und 1905 auf den Impressionismus folgten. Anstelle der Bezeichnungsweise Post Impressionismus… …   Deutsch Wikipedia

  • post-Impressionism — noun the work or style of a group of late 19th century and early 20th century artists who reacted against the naturalism of the Impressionists, using colour, line, and form to express the emotional response of the artist. Derivatives post… …   English new terms dictionary

  • post-impressionism — /poʊst ɪmˈprɛʃənɪzəm/ (say pohst im preshuhnizuhm) noun a movement in modern painting about 1870–1920, which rejected the impressionists imitation of natural forms in favour of other forms, but accepted their use of pure colour as a means of… …  

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