Книга: Lorraine J. Daston, Peter Galison «Objectivity»

Objectivity

Производитель: "Zone Books"

Objectivity has a history, and it is full of surprises. In Objectivity, Lorraine Daston and Peter Galison chart the emergence of objectivity in the mid-nineteenth-century sciences-and show how the concept differs from its alternatives, truth-to-nature and trained judgment. This is a story of lofty epistemic ideals fused with workaday practices in the making of scientific images. From the eighteenth through the early twenty-first centuries, the images that reveal the deepest commitments of the empirical sciences-from anatomy to crystallography-are those featured in scientific atlases, the compendia that teach practitioners what is worth looking at and how to look at it. Galison and Daston use atlas images to uncover a hidden history of scientific objectivity and its rivals. Whether an atlas maker idealizes an image to capture the essentials in the name of truth-to-nature or refuses to erase even the most incidental detail in the name of objectivity or highlights patterns in the name of... ISBN:978-1-890951-78-8

Издательство: "Zone Books" (2010)

ISBN: 978-1-890951-78-8

Peter Galison

Peter Louis Galison is the Pellegrino University Professor in History of Science and Physics at Harvard University.

Galison received his Ph.D. from Harvard University in both Physics and the History of Science in 1983. His publications include "Image and Logic: A Material Culture of Microphysics" (1997) and "Einstein's Clocks, Poincare's Maps: Empires of Time". His most recent book (2007), co-authored with Lorraine Daston, is titled "Objectivity".

In "Image and Logic", Galison explored the fundamental rift rising in the physical sciences: whether singular, visual accounts of scientific phenomenon would be accepted as the dominant language of proof, or whether statistically significant, frequently repeated results would dominate the field. This division, Galison claims, can be seen in the conflicts amongst high-energy physicists investigating new particles, some of whom offer up statistically significant and frequently replicated analysis of the new particle passing through electric fields, others of whom offer up a single picture of a particle behaving—in a single instance—in a way that cannot be explained by the characteristics of existing known particles.

His work with Lorraine Daston developed the concept of "mechanical objectivity" which is often used in scholarly literature, and he has done pioneering work on applying the anthropological notion of "trading zones" to scientific practice. He has developed a film for the History Channel on the development of the hydrogen bomb, and has done work on the intersection of science with other disciplines, in particular art (along with his wife, Caroline A. Jones) and architecture. He is on the editorial board of "Critical Inquiry" and was a MacArthur Fellow in 1996.

Galison has been involved in the production of two documentary films. The first, "The Ultimate Weapon: The H-Bomb Dilemma", was about the political and scientific decisions behind the creation of the first hydrogen bomb in the United States, and premiered on the History Channel in 2000. The second, and most recent, "Secrecy", Galison directed with Harvard filmmaker Robb Moss, is about the costs and benefits of government secrecy, and premiered at the 2008 Sundance Film Festival. [http://www.sundance.org/festival/press_industry/releases/2008_films_in_competition.asp]

Before moving to Harvard, Galison taught for several years at Stanford University where he was professor of History, Philosophy, and Physics. He is considered part of the "Stanford School" of philosophy of science along with Ian Hacking, John Dupré, and Nancy Cartwright (philosopher).

Bibliography

*Peter Galison, "How experiments end" (Chicago: University of Chicago Press, 1987). ISBN 0-226-27914-6
*— "Image and logic: a material culture of microphysics" (Chicago: University of Chicago Press, 1997). ISBN 0-226-27917-0
*— and Caroline Jones, "Picturing science, producing art" (New York: Routledge, 1998). ISBN 0-415-91912-6
*— "Einstein's clocks, Poincarés maps: empires of time" (New York: W.W. Norton, 2003). ISBN 0-393-02001-0
*— and Lorraine Daston, "Objectivity" (Boston: Zone Books, 2007).
*Peter Galison & David J Stump (eds), "The Disunity of Science: Boundaries, Contexts, and Power" (Stanford, CA: Stanford University Press). ISBN 0-8047-2562-4
*Peter Galison & Bruce Hevly (eds), "Big Science: The Growth of Large-Scale Research" (Stanford, CA: Stanford University Press). ISBN 0-8047-2335-4

Filmography

*"The Ultimate Weapon: The H-Bomb Dilemma" (2000) Writer/producer, 44 minutes. Premiere: The History Channel, 2000.
*"Secrecy" (2008) Producer/Director (with Robb Moss), 85 minutes. Premiere: The Sundance Film Festival ('08).

External links

* [http://www.fas.harvard.edu/~hsdept/bios/galison.html Galison's history of science homepage]
* [http://physics.harvard.edu/people/facpages/galison.html Galison's physics homepage]
* [http://www.fas.harvard.edu/~hsdept/bios/galison-nytimes.html Article about Galison from the "New York Times"]
* [http://www.aip.org/history/einstein/essay-einsteins-time.htm Interview with Galison about his Einstein book]
* [http://www.news.harvard.edu/gazette/daily/2006/01/24-uniprof.html Galison appointed University Professor Harvard Gazette]
* [http://www.secrecyfilm.com/ SECRECY] — Galison and Moss' documentary homepage

Источник: Peter Galison

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