Книга: Pamuk O. «My Name is Red»

My Name is Red

In the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day - in the European manner. At a time of violent fundamentalism, however, this is a dangerous proposition. Even the illustrious circle of artists are not allowed to know for whom they are working. But when one of the miniaturists is murdered, their Master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror? With the Sultan demanding an answer within three days, perhaps the clue lies somewhere in the half-finished pictures... Orhan Pamuk is Turkey's leading contemporary novelist and in "My Name is Red", he has fashioned an unforgettable tale of suspense, and an artful meditation on love and deception..

Формат: Мягкая бумажная, 508 стр.

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PAMUK ORHAN (1952- )

Orhan Pamuk est né à Istanbul en 1952. Diplômé de l’École supérieure de l’université d’Istanbul, il a séjourné aux États-Unis et fréquenté l’université Columbia. Son premier roman, Karanlik ve Isik (L’Obscurité et la lumière), a reçu le prix du roman 1979 du quotidien Milliyet . En 1982, Cevdet Bey ve Ogullari (Djevdet Bey et ses fils) est récompensé par le prix du romancier Orhan Kemal 1984. Son roman Sessiz Ev (La Maison du silence, 1983) reçoit le prix Madarali en Turquie et en France, le Grand Prix de la découverte européenne en 1991, et Kara Kitab (Le Livre noir, 1990), le prix France Culture et le prix du Comité France-Turquie.

Avec Orhan Pamuk, ce n’est plus la problématique de la vie paysanne qui constitue les thèmes de l’œuvre romanesque. L’auteur s’efforce plutôt de narrer la recherche d’identité de ses personnages, et ceci dans le cadre de la vie sociale et historique de son pays. Ainsi, les questions liées au genre romanesque sont exploitées démesurément dans la structure de la narration.

Dans cette recherche d’identité, sans rapport avec celle que connut l’existentialisme, présentée dans une narration décousue où les détails historiques se mêlent à des visions éblouissantes, on peut lire en filigrane les mutations angoissantes d’un pays dépassé par l’histoire.

L’individu, chez Orhan Pamuk, symbolise l’évolution de la Turquie face à l’Occident. On est original si l’on remonte à ses propres origines. Telle est la conception de l’écrivain qui découvre dans les trésors de sa culture l’éblouissante richesse d’un passé plusieurs fois séculaire. Orhan Pamuk n’hésite pas à expérimenter différents procédés d’écriture comme le collage d’anecdotes historiques ou légendaires empruntées à des textes anciens ou nées d’un imaginaire fantastique. Bien que sa langue ne soit pas recherchée, dans ses digressions fréquentes, il crée ou recrée des images peu communes. L’écriture de Pamuk est très souvent bivalente et même souvent polyvalente, le mélange de plusieurs styles formant, en quelque sorte, une mosaïque pleine de richesses. La critique turque s’est montrée plus réservée que la critique internationale à l’égard de ce qu’elle appelle «des égarements de langage».

Источник: PAMUK (O.)

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