Книга: Linda Murray «The High Renaissance and Mannerism»
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The principal elements of High Renaissance art, first formulated by Leonardo da Vinci in the 1490s, came to their true flowering in the brilliant achievements of Bramante, Raphael and Michelangelo in Rome, of Michelangelo in Florence and of Giorgione and Titian in Venice. After the death of Raphael in 1520, the next generation in Italy was to see the rise of the complex and refined sensibility summed up in the term "Mannerism." In this uniquely comprehensive guide to sixteenth-century Renaissance art, Linda Murray not only examines the manifold achievements of Italian artists, but also identifies the strongly individual forms taken by the Renaissance and Mannerism in Northern Europe and Spain. Издательство: "Thames and Hudson Limited" (1978) Формат: 150x210, 288 стр.
ISBN: 978-0-500-20-162-6 Купить за 1679 руб на Озоне |
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См. также в других словарях:
High Renaissance — The High Renaissance, in the history of art, denotes the culmination of the art of the Italian Renaissance between 1450 and 1527. Because Pope Julius II patronized many artists during this time, the movement was centered in Rome; it had… … Wikipedia
Renaissance in the Low Countries — Renaissance Topics … Wikipedia
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Mannerism — An art movement that emerged in roughly the 1520s inspired by the unprecedented architectural forms Michelangelo introduced in the vestibule of the Laurentian Library (1524 1534) and Medici Chapel (New Sacristy of San Lorenzo, Florence, 1519… … Dictionary of Renaissance art
Mannerism — Term used by art historians to label a style of painting, sculpture, and architecture that arose in the 1520s as a variant of the style of High Renaissance masters such as Leonardo da Vinci, Michelangelo, and Raphael. The death of Leonardo in… … Historical Dictionary of Renaissance
