Книга: Rob Liefeld «Youngblood,№ 77, March 2013»
"RISE", Part One Familiar Youngblood faces return just in time! There is a traitor within as the team is challenged by their greatest nemesis! LORD CHAPEL RISES AGAIN. The destruction of Youngblood sets the stage for EXTREME 2013's biggest event. Издательство: "Image Comics" (2013) Формат: 170x260, 28 стр.
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Rob Liefeld
Infobox Comics creator
imagesize = 200px
caption = Rob Liefeld
birthname =
birthdate = birth date and age|1967|10|3
location =
deathdate =
deathplace =
nationality = American
area = Penciller, Inker, Writer, Publisher
alias =
notable works = "Youngblood"
"X-Force"
awards =
Rob Liefeld, (born
In the early 1990s, self-taught artist Liefeld became prominent due to his work on Marvel Comics' "The New Mutants" and later "
He is married to actress
Biography
Early career
Liefeld was born in
In 1986, he was a last-minute replacement penciller for the first issue of "Stetch", published by
In 1988, at the age of 20, he completed his first significant published work, as Liefeld moved to Marvel, where in 1989 he became the penciller for "The New Mutants", starting with issue #86. He is generally credited for turning this lowest-selling title of the X-franchise into a financial success.Dean, Michael. (2000). [http://www.tcj.com/3_online/n_image2.html "The Image Story, part 2"] . "The Comics Journal". Retrieved April 20, 2007.] With "The New Mutants" (vol. 1) #98, Liefeld assumed full creative control over the series, pencilling, inking, and plotting, with Leaving Marvel Comics, co-founding Image Comics Liefeld's relationship with Marvel began to break down in 1991 when he announced plans in a black-and-white advertisement in CBGissue to publish an original title, dubbed "The Executioners", with competitor Liefeld and several other popular young artists including In 1996, Liefeld's and Lee's studios signed with Marvel to re-envision several of the company's core series, an event called " In 1996, In addition to allegedly siphoning funds, he was said to have used Image staff to do promotional and production work for Maximum. In early September, Liefeld issued a press release stating he was resigning his position at Image and leaving the group. Nearly simultaneously, the Image partners issued a press release stating that they had fired Liefeld. The other partners had already voted once to remove Liefeld from the group, a move he protested on the grounds that he was given too short a notice period. His resignation came only minutes before the second meeting that would have forced him out. The comics press variously reported several underlying issues: the effect of Liefeld's erratically published and critically derided lines on the company's reputation, his supposed misuse of his position as Image Recent career At Awesome, Liefeld and Loeb attempted to resurrect their unused "Captain America" plots for a new character, Meanwhile, Liefeld hired acclaimed comic book writer Awesome's initial releases, including entirely new properties like "Kaboom!" created by In the 2000s, Liefeld returned to his former characters in the X-Men franchise, providing pencils for the occasional cover and/or interior of "Cable" and "X-Force". These books had continued to be somewhat popular properties until the early 2000s, when both were cancelled. In 2004, he reunited with Fabian Nicieza for an "X-Force" Liefeld's new website was launched in May 2005. In August 2005, his first assignment for DC in many years began, a two-issue arc on "Teen Titans" with writer Liefeld returned to the Heroes Reborn Universe with writer Jeph Loeb with the [http://www.newsarama.com/marvelnew/Onslaught/OnslaugthReborn.htm Onslaught Reborn] project and released as a 5 part monthly title starting in November of 2006. Return to Image Comics In July 2007, it was announced that Rob Liefeld and Youngblood would be returning to Image Comics after years of self-publication. This new partnership marks the first time in a decade that Liefeld and Image would collaborate on a project. The new Youngblood series is written by Joe Casey with art by Derec Donovan and Val Staples, with covers by Liefeld, and is scheduled for a Q1 2008 release. To commemorate the event, and the 15th anniversary of Image Comics, the 2007 Criticism Since the heyday of In interviews, Liefeld has compared himself to other popular artists who experience meteoric success and acclaim early in their careers but near-pariah status afterwards, notably He is, however, not without supporters in the industry. Writer Art style He has been criticized for drawing figures with exaggeratedly muscular anatomy and an improbable profusion of weapons, accessories and pouches. On the one hand, these trademarks were seen as the impetus for his initial success, when such affectations were unusual in comics. He turned comic book characters into "very cool toys". But the approach later became considered a cliché and led to a widespread hostility towards the style. Liefeld for the most part agrees with this estimation of his early work, saying, "In the mid-90's we Mortal Kombat'ed everything. I'm as guilty as anyone." Lateness Liefeld has become known for producing late books, primarily for his own productions; somewhat less so when doing work for hire. Some issues of his series "Youngblood" shipped as much as nine months late. Liefeld has attributed this to the greater incentive a freelancer feels when doing Accusations of plagiarism and disputes of credit At the beginning of Liefeld's run on the " Similarities between other Liefeld creations and established characters have been remarked on. He created Deadpool for In addition to this, Liefeld is also alleged to have made a habit of copying art from other artists, (a practice known in the comics field as swiping), particularly during his years at Image. [ [http://julien-gautier.club.fr/rob_copie.jpg] ] Personal acrimony related to departure from Image comics It was alleged that Liefeld was too preoccupied by dreams of Hollywood, spending time in meetings with Liefeld remained on lukewarm or hostile terms with most of his former Image partners. After the San Diego Comicon panel in 2007, Liefeld was interviewed by "Wizard" Magazine about his feud with the Image partners. He claimed the feud was in the past, saying: "The divorce was ugly, but to me it didn't linger ... I realized you just need to let it go." [Morse, Ben. (2007). "In Step With: Rob Liefeld" [http://www.wizarduniverse.com Wizard Magazine] . November, 2007; page 108. Gareb Shamus Enterprises] elected works *" External links * [http://www.robliefeld.net/ Rob Liefeld's official website] Footnotes Additional reading * Fiore, R. (Aug. 1992) "Funnybook Roulette", "The Comics Journal #152". Источник: Rob Liefeld
=Litigious Departure from
*"
*imdb name|id=0509580|name=Rob Liefeld
* [http://www.maelmill-insi.de/UHBMCC/NAML8.HTM#N734 Unofficial Index of Marvel Comics Creators]
* [http://progressiveboink.com/archive/robliefeld.html The 40 Worst Rob Liefeld Drawings] Critical analysis of Liefeld artwork.
* [http://www.i-mockery.com/comics/dork4/default.php The Madness of Crowds] Critical article from
* "Wizard Magazine" #10, June 1992 interview about "Executioners" and "Berserkers".
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