Электронная книга: Jean Baptiste Rousseau «Oeuvres de J. B. Rousseau. T. 2»

Oeuvres de J. B. Rousseau. T. 2

Полный вариант заголовка: «Oeuvres de J. B. Rousseau : T. 2 : avec un commentaire historique et litteraire : precede d'un nouvel essai sur la vie et les ecrits de l'auteur».

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Oeuvres de J. B. Rousseau. T. 1Полный вариант заголовка: «Oeuvres de J. B. Rousseau : T. 1 : avec un commentaire historique et litteraire : precede d'un nouvel essai sur la vie et les ecrits de l'auteur» — Библиотечный фонд, электронная книга Подробнее...1820электронная книга
Oeuvres de J. B. Rousseau. T. 5Полный вариант заголовка: «Oeuvres de J. B. Rousseau : T. 5 : avec un commentaire historique et litteraire : precede d'un nouvel essai sur la vie et les ecrits de l'auteur» — Библиотечный фонд, электронная книга Подробнее...1820электронная книга
Oeuvres de J. B. Rousseau. T. 4Полный вариант заголовка: «Oeuvres de J. B. Rousseau : T. 4 : avec un commentaire historique et litteraire precede d'un nouvel essai sur la vie et les escrits de l'auteur» — Библиотечный фонд, электронная книга Подробнее...1820электронная книга

Jean-Baptiste Rousseau

Jean-Baptiste Rousseau (April 6, 1671 – March 17, 1741), was a French poet.

Biography

Rousseau was born in Paris, the son of a shoemaker, and was well educated. As a young man, he gained favour with Boileau, who encouraged him to write. Rousseau began with the theatre, for which he had no aptitude. A one-act comedy, "Le Café", failed in 1694, and he was not much happier with a more ambitious play, "Le Flatteur" (1696), or with the opera "Venus et Adonis" (1697). In 1700 he tried another comedy, "Le Capricieux", which had the same fate. He then went with Tallard as an attaché to London, and, in days when literature still led to high position, seemed likely to achieve success.

His misfortunes began with a club squabble at the Café Laurent, which was much frequented by literary men, and where he indulged in lampoons on his companions. A shower of libellous and sometimes obscene verses was written by or attributed to him, and at last he was turned out of the café. At the same time his poems, as yet printed only singly or in manuscript, acquired him a great reputation, due to the dearth of genuine lyrical poetry between Jean Racine and André de Chénier. In 1701 he was made a member of the Académie des inscriptions; he was offered, though he had not accepted, profitable places in the revenue department; he had become a favourite of the libertine but influential "côterie" of the Temple; and in 1710 he presented himself as a candidate for the Académie française.

Verses more offensive than ever were handed round, and gossip maintained that Rousseau was their author. Legal proceedings of various kinds followed, and Rousseau ascribed the lampoon to Bernard-Joseph Saurin. In 1712 Rousseau was prosecuted for defamation of character, and, on his non-appearance in court, was condemned to perpetual exile. He spent the rest of his life in foreign countries except for a clandestine visit to Paris in 1738; he refused to accept the permission to return which was offered him in 1716 because it was not accompanied by complete rehabilitation.

Prince Eugène and then other persons of distinction took him under their protection during his exile, and at Soleure he printed the first edition of his poetical works. He met Voltaire in Brussels in 1722. Voltaire's "Le Pour et le contre" is said to have shocked Rousseau, who expressed his sentiments freely. At any rate the latter had thenceforward no fiercer enemy than Voltaire. His death elicited from Jean-Jacques Lefranc, marquis de Pompignan an ode that was perhaps better than anything of Rousseau's own work. That work may be roughly divided into two sections. One consists of formal and partly sacred odes and cantatas of the stiffest character, of which perhaps the "Ode a la fortune" is the most famous; the other of brief epigrams, sometimes licentious and always, or almost always, ill-natured.

As an epigrammatist Rousseau is inferior only to his friend Alexis Piron. The frigidity of conventional diction and the disuse of all really lyrical rhythm which characterize his period do not prevent his odes and cantatas from showing at times true poetical faculty, though cramped, and inadequate to explain his extraordinary vogue. Few writers were so frequently reprinted during the 18th century, but even in his own century La Harpe had arrived at a truer estimate of his real value when he said of his poetry: "Le fond n'est qu'un lieu commun chargé de déclamations et même d'idées fausses"."

Besides the Soleure edition mentioned above, Rousseau published an issue of his work in London in 1723.

References

*1911

Источник: Jean-Baptiste Rousseau

См. также в других словарях:

  • Rousseau, Jean-Jacques — born June 28, 1712, Geneva, Switz. died July 2, 1778, Ermenonville, France Swiss French philosopher. At age 16 he fled Geneva to Savoy, where he became the steward and later the lover of the baronne de Warens. At age 30, having furthered his… …   Universalium

  • Rousseau — (spr. Ruffoh), 1) Jean Baptiste, geb. 6. April 1670 in Paris; wurde 1688 Page bei dem französischen Gesandten Bonrepeaux in Dänemark, ging als Secretär des Marschalls Tallard nach England; arbeitete nach seiner Rückkehr nach Frankreich unter… …   Pierer's Universal-Lexikon

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  • Jean-Jacques Rousseau — Jean Jacques Rousseau, Pastell von Maurice Quentin de La Tour, 1753 Jean Jacques Rousseau (* 28. Juni 1712 in Genf; † 2. Juli 1778 in Ermenonville bei Paris) war ein Genfer Schriftsteller …   Deutsch Wikipedia

  • Les grands noms de l'art verrier et leurs oeuvres — Grands noms de l art verrier et leurs œuvres Sommaire 1 Les gentilshommes verriers 2 Liste de gentilshommes verriers 3 Notes et references 4 Verreries anciennes …   Wikipédia en Français

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