Книга: Gay Talese «Frank Sinatra Has a Cold and other Essays»
Gay Talese is the father of American New Journalism, who transformed traditional reportage with his vivid scene-setting, sharp observation and rich storytelling. His 1966 piece for Esquire, one of the most celebrated magazine articles ever published, describes a morose Frank Sinatra silently nursing a glass of bourbon, struck down with a cold and unable to sing, like ?Picasso without paint, Ferrari without fuel ? only worse?. The other writings in this selection include a description of a meeting between two legends, Fidel Castro and Muhammad Ali; a brilliantly witty dissection of the offices of Vogue magazine; an account of travelling to Ireland with hellraiser Peter O'Toole; and a profile of fading baseball star Joe DiMaggio, which turns into a moving, immaculately-crafted meditation on celebrity. Издательство: "Penguin Books Ltd." (2011) Формат: 130x195, 208 стр.
ISBN: 0141194154,9780141194158 Купить за 1164 руб на Озоне |
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Gay Talese
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Talese is a visiting writer at the
Biography
Gay Talese was born into a
This was further reinforced when he entered his school years because he wore hand crafted suits from his father's shop which, he later reflected in his memoir "
Talese graduated from
Origins of a writer
His entry into writing was entirely happenstance and the
"On the mistaken assumption that relieving the athletic department of its press duties would gain me the gratitude of the coach and get me more playing time, I took the job and even embellished it by using my typing skills to compose my own account of the games rather than merely relaying the information to the newspapers by telephone.""
No matter how random this beginning, Talese soon showed he was no ordinary 15 year old high school reporter. He quickly (after only seven sports articles) was given the job of covering not only the goings-on at the school, but also given his own column for the weekly "
Talese credits his mother as the role model he followed in developing the interviewing techniques that would serve him so well later in life interviewing such varied subjects as mafia members and middle-class Americans on their sexual habits. He relates in "Origins:""
"I learned [from my mother] ... to listen with patience and care, and never to interrupt even when people were having great difficulty in explaining themselves, for during such halting and imprecise moments ... people are very revealing--what they hesitate to talk about can tell much about them. Their pauses, their evasions, their sudden shifts in subject matter are likely indicators of what embarrasses them, or irritates them, or what they regard as too private or imprudent to be disclosed to another person at that particular time. However, I have also overheard many people discussing candidly with my mother what they had earlier avoided--a reaction that I think had less to do with her inquiring nature or sensitively posed questions than with their gradual acceptance of her as a trustworthy individual in whom they could confide.""
College
Perhaps reflecting the still pervasive bigotry at many universities of the era, Talese was rejected by dozens of colleges in New Jersey and nearby states. He eventually was accepted at the
It was here that he would begin to employ literary devices more well known in fiction, like establishing the "scene" with minute details and beginning articles "
Rhythmic "Sixty Minute Man" emanated from the Supe Store juke box and Larry (The Maestro) Chiodetti beat against the table like mad in keeping time with the jumpy tempo. T-shirted Bobby Marlow was just leaving the Sunday morning bull session and dapper Bill Kilroy had just purchased the morning newspapers.This was before Lillian Ross did the same in "Picture" (1952) or
Professional career
Journalism - reporter
After graduating in June 1953, he moved to
While at the University of Alabama, he had been required (as all male students were at the time owing to the ongoing
Keeping in touch with his former employers at the "Times", when Talese completed his military obligation in 1956 he returned to New York as a full-fledged sports reporter. As he would later opine, "Sports is about people who lose and lose and lose. They lose games; then they lose their jobs. It can be very intriguing." Of the various fields,
For this, he would be rewarded with a promotion to the Albany Bureau to cover state politics. It was a short-lived assignment, however, as Talese's exacting habits and meticulous style soon irritated his new editors to the point that they recalled him to the city, assigning him to write minor obituaries. He puts it, "I was banished to the obituary desk as punishment--to break me. There were major obituaries and minor obituaries. I was sent to write minor obituaries not even seven paragraphs long."
Journalism - essayist
After a year in the "Times" obituary section, he began to write articles for the Sunday "Times" which was run as a separate organization from the daily "Times" by editor Lester Markel.
Talese wrote "" (1964), a reporter-style, non-fiction depiction of the construction of the
Talese's celebrated "Esquire" piece about Joe DiMaggio, "The Silent Season of a Hero,"—in part a meditation on the transient nature of fame—also appeared in 1966. When a number of Esquire pieces were collected into a book called "
Talese is married to
In popular culture
Gay Talese appeared in several strips of the comic "
Bibliography
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References
External links
* [http://www.gaytalese.com Official site]
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Источник: Gay Talese
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