Книга: Gounod Charles «Romeo et Juliette»

Romeo et Juliette

Серия: "-"

Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по восстановлению первоначального качества издания, на некоторых страницах могут обнаружиться небольшие "огрехи" :помарки, кляксы и т. п.

Издательство: "Книга по Требованию" (2011)

Купить за 1314 руб в My-shop

Другие книги автора:

КнигаОписаниеГодЦенаТип книги
Lettres Intimes (French Edition)Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее...20111314бумажная книга
Valse de l'opera Faust. Transcription for piano by Franz LisztКнига представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее...20111640бумажная книга
Gounod's opera of Romeo and Juliet, containing the Italian text, with an English translation, and the music of all the principal airsКнига представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее...2011411бумажная книга
Troisieme Messe Solennelle (De Paques). (Latin Edition)Книга представляет собой репринтное издание. Несмотря на то, что была проведена серьезная работа по… — Книга по Требованию, - Подробнее...2011678бумажная книга

Gounod, Charles

▪ French composer
in full  Charles-françois Gounod  
born June 17, 1818, Paris, France
died Oct. 18, 1893, Saint-Cloud, near Paris

      French composer noted particularly for his operas, of which the most famous is Faust.

      Gounod's father was a painter, and his mother was a capable pianist who gave Gounod his early training in music. He was educated at the Lycée Saint-Louis, where he remained until 1835. After taking his degree in philosophy, he began to study music with the Bohemian composer Anton Reicha. On Reicha's death Gounod entered the Paris Conservatoire, where he studied under Fromental Halévy and Jean-François Lesueur. Three years later his cantata Fernand won him the Prix de Rome for music, an award that entailed a three-year stay in Rome at the Villa Medici.

      In Italy Gounod devoted a considerable amount of his attention to the works of Giovanni da Palestrina, an Italian Renaissance composer. From Rome he proceeded to Vienna, where a mass and requiem, composed in Italy, were performed in 1842 and 1843. Returning to Paris, he passed through Prague, Dresden, and Berlin and met Felix Mendelssohn in Leipzig.

      In Paris, Gounod became organist and choirmaster at the Church of the Missions Étrangères, and for two years he mainly studied theology. In 1846 he entered the seminary of Saint-Sulpice but in 1847 decided against taking holy orders. A requiem and a Te Deum that he had started writing the previous year remained unfinished, and he turned to composing for the operatic stage.

      The reception of his earliest operas, Sapho (1851) and La Nonne sanglante (1854; “The Bloody Nun”), was not very enthusiastic, despite favourable reviews by the composer Hector Berlioz. In his Messe de Sainte-Cécile (1855) he attempted to blend the sacred with a more secular style of composition. An excursion into comic opera followed with Le Médecin malgré lui (1858; The Mock Doctor), based on Molière's comedy. From 1852 Gounod worked on Faust, using a libretto by M. Carré and J. Barbier based on J.W. von Goethe's tragedy. The production of Faust on March 19, 1859, marked a new phase in the development of French opera. This work has continued to overshadow all of Gounod's subsequent stage works, including Philémon et Baucis (1860), La Colombe (1860; “The Dove”), the fairly successful Mireille (1864), based on a Provençal poem by Frédéric Mistral, and Roméo et Juliette (1867).

      In 1852 Gounod had become conductor of the Orphéon Choral Society in Paris, for which he wrote a number of choral works, including two masses. From 1870 he spent five years in London, formed a choir to which he gave his name (and which later became the Royal Choral Society), and devoted himself almost entirely to the writing of oratorios. Gallia, a lamentation for solo soprano, chorus, and orchestra, inspired by the French military defeat of 1870, was first performed in 1871 and was followed by the oratorios La Rédemption and Mors et Vita (Life and Death) in 1882 and 1885. He was made a grand officier of the Legion of Honour in 1888.

      Gounod's melodic vein is unmistakably original, though often oversentimental. He knew how to write for the voice and was also a skillful orchestrator; but in his operas his sense of musical characterization, though rarely devoid of charm, is often excessively facile, and the religiosity displayed in his sacred music is too often superficial. His Meditation (Ave Maria) superimposed on Johann Sebastian Bach's Prelude in C Major (from The Well-Tempered Clavier, Book I) illustrates both his inventiveness and ease as a melodist and his naïveté in matters of style. The operas Faust, Mireille, and Le Médecin malgré lui show his melodic talents at their best.

Frederick Goldbeck

Additional Reading
James Harding, Gounod (1973), provides a popular introduction to his life and musical career. Steven Huebner, The Operas of Charles Gounod (1990), examines the literary background, composition, and production of these works.

* * *

Источник: Gounod, Charles

См. также в других словарях:

  • Romeo et Juliette — Roméo et Juliette Pour les articles homonymes, voir Roméo et Juliette (homonymie). Roméo et Juliette Le balcon de Juliette à …   Wikipédia en Français

  • Roméo et juliette — Pour les articles homonymes, voir Roméo et Juliette (homonymie). Roméo et Juliette Le balcon de Juliette à …   Wikipédia en Français

  • Roméo et Juliette — ( Romeo and Juliet ) is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on The Tragedy of Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique, Paris on April …   Wikipedia

  • Roméo et Juliette — tragédie en cinq actes, en vers et en prose (1594 1595), de Shakespeare, qui s inspira d une nouvelle de l Italien Luigi Bandello (v. 1485 1561); l histoire de cet amour tragique, née dans l Antiquité, avait déjà été traitée par de nombreux… …   Encyclopédie Universelle

  • Roméo et Juliette — Pour les articles homonymes, voir Roméo et Juliette (homonymie). Roméo et Juliette …   Wikipédia en Français

  • Roméo et Juliette —    1) Romeo and Juliet    Ballet filmé de Paul Czinner, d après Shakespeare, avec Rudolph Noureev, Margot Fonteyn.   Pays: Grande Bretagne   Date de sortie: 1966   Technique: couleurs   Durée: 2 h 05    Résumé    Avec le Royal Ballet de Londres… …   Dictionnaire mondial des Films

Поделиться ссылкой на выделенное

Прямая ссылка:
… Нажмите правой клавишей мыши и выберите «Копировать ссылку»