Книга: Daniel Samuel «The complete works in verse and prose of Samuel Daniel. Ed., with memorial-introduction and a glossarial index embracing notes and illustrations»

born 1562?, Taunton, Somerset, Eng.

died 1619

      English contemplative poet, marked in both verse and prose by his philosophic sense of history.

      Daniel entered Oxford in 1581. After publishing a translation in 1585 for his first patron, Sir Edward Dymoke, he secured a post with the English ambassador at Paris; later he travelled in Italy, visiting the poet Battista Guarini in Padua. After 1592 he lived at Lincoln in the service of Sir Edward Dymoke, at Wilton as tutor to William Herbert, later earl of Pembroke, and at Skipton Castle, Yorkshire, as tutor to Lady Anne Clifford. In 1604 Queen Anne (Anne) chose him to write a masque, The Vision of the Twelve Goddesses, in which she danced. She awarded him the right to license plays for the boy actors at the Blackfriars Theatre and a position as a groom, and later gentleman, of her privy chamber.

      Edmund Spenser praised Daniel for his first book of poems, Delia, with The Complaint of Rosamond (1592). Daniel published 50 sonnets in this book, and more were added in later editions. The passing of youth and beauty is the theme of the Complaint, a tragic monologue. In The Tragedie of Cleopatra (1594) Daniel wrote a Senecan drama. The Civile Warres (1595–1609), a verse history of the Wars of the Roses, had some influence on Shakespeare in Richard II and Henry IV; it is Daniel's most ambitious work.

      Daniel's finest poem is probably “Musophilus: Containing a Generall Defence of Learning,” dedicated to Fulke Greville. His Poeticall Essayes (1599) also include “A Letter from Octavia to Marcus Antonius.” His Defence of Ryme, answering Thomas Campion's Observations in the Art of English Poesie, a critical essay, was published in 1603. Fame and honour are the subjects of “Ulisses and the Syren” (1605) and of A Funerall Poeme uppon the Earle of Devonshire (1606). He had to defend himself against a charge of sympathizing with the Earl of Essex in The Tragedie of Philotas, acted in 1604 (published 1605). His other masques include Tethys' Festival (1610), staged with scenery by Inigo Jones, and The Queenes Arcadia (published 1606), a pastoral tragicomedy in the Italian fashion. Daniel's last pastoral was Hymens Triumph (1615). He also wrote The Collection of the Historie of England (1612–18) as far as the reign of Edward III.

Joan Rees, Samuel Daniel (1964).