Книга: John Greenleaf Whittier «Child Life: A Collection Of Poems (1871)»
Серия: "-" Книга представляет собой репринтное издание 1871 года (издательство "Boston, Houghton, Osgood and company" ). Несмотря на то, что была проведена серьезная работа по восстановлению первоначального качества издания, на некоторых страницах могут обнаружиться небольшие" огрехи" :помарки, кляксы и т. п. Издательство: "Книга по Требованию" (1871)
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John Greenleaf Whittier
Infobox Writer
name = John Greenleaf Whittier
birthdate = birth date|1807|12|17|mf=y
birthplace = Haverhill,
deathdate = death date and age|1892|9|7|1807|12|17|mf=y
deathplace = Hampton Falls,
occupation =
John Greenleaf Whittier (December 17, 1807 – September 7, 1892) was an influential American
Biography
Early life and work
John Greenleaf Whittier was born to John and Abigail (Hassey) at their rural homestead near
Whittier was first introduced to poetry by a teacher. His sister sent his first poem, "The Exile's Departure", to the Newburyport "Free Press" without his permission and its editor,
Garrison gave Whittier the job of editor of the "National Philanthropist", a Boston-based temperance weekly. Shortly after a change in management, Garrison reassigned him as editor of the weekly "American Manufacturer" in Boston. [Woodwell, 25] Whittier became an out-spoken critic of President
Abolitionist activity
During the 1830s, Whittier became interested in politics, but after losing a Congressional election in 1832, he suffered a nervous breakdown and returned home at age twenty-five. The year 1833 was a turning point for Whittier; he resurrected his correspondence with Garrison, and the passionate abolitionist began to encourage the young Quaker to join his cause.
In 1833, Whittier published the antislavery pamphlet "Justice and Expediency", [Wagenknecht, 13] and from there dedicated the next twenty years of his life to the abolitionist cause. The controversial pamphlet destroyed all of his political hopes—as his demand for immediate emancipation alienated both northern businessmen and southern slaveholders—but it also sealed his commitment to a cause that he deemed morally correct and socially necessary. He was a founding member of the
Whittier's political skill made him useful as a lobbyist, and his willingness to badger anti-slavery congressional leaders into joining the abolitionist cause was invaluable. From 1835 to 1838, he traveled widely in the North, attending conventions, securing votes, speaking to the public, and lobbying politicians. As he did so, Whittier received his fair share of violent responses, being several times mobbed, stoned, and run out of town. From 1838 to 1840, he was editor of "The Pennsylvania Freeman" in Philadelphia,Wagenknecht, 6] one of the leading antislavery papers in the North, formerly known as the "National Enquirer". In May 1838, the publication moved its offices to the newly-opened Pennsylvania Hall on North Sixth Street, which was shortly after burned by a pro-slavery mob. [Ehrlich, Eugene and Gorton Carruth. "The Oxford Illustrated Literary Guide to the United States". New York: Oxford University Press, 1982: 206. ISBN 0195031865] Whittier also continued to write poetry and nearly all of his poems in this period dealt with the problem of slavery. By the end of the 1830s, the unity of the abolitionist movement had begun to fracture. Whittier stuck to his belief that moral action apart from political effort was futile. He knew that success required legislative change, not merely moral suasion. This opinion alone engendered a bitter split from Garrison,Fact|date=May 2008 and Whittier went on to become a founding member of the In 1845, he began writing his essay "The Black Man" which included an anecdote about John Fountain, a free black who was jailed in Virginia for helping slaves escape. After his release, Fountain went on a speaking tour and thanked Whittier for writing his story. [Laurie, Bruce. "Beyond Garrison: Antislavery and Social Reform". New York: Cambridge University Press, 2005: 77. ISBN 0521605172] Around this time, the stresses of editorial duties, worsening health, and dangerous mob violence caused him to have a physical breakdown. Whittier went home to Amesbury, and remained there for the rest of his life, ending his "active" participation in abolition. Even so, he continued to believe that the best way to gain abolitionist support was to broaden the Liberty Party’s political appeal, and Whittier persisted in advocating the addition of other issues to their platform. He eventually participated in the evolution of the Liberty Party into the Beginning in 1847, Whittier was editor of Gamaliel Bailey's "The National Era", one of the most influential abolitionist newspapers in the North. For the next ten years it featured the best of his writing, both as prose and poetry. Being confined to his home and away from the action offered Whittier a chance to write better abolitionist poetry; he was even poet laureate for his party. Whittier's poems often used slavery to symbolize all kinds of oppression (physical, spiritual, economic), and his poems stirred up popular response because they appealed to feelings rather than logic. Whittier produced two collections of antislavery poetry: "Poems Written during the Progress of the Abolition Question in the United States, between 1830 and 1838" and "Voices of Freedom" (1846). He was an The passage of the Thirteenth Amendment in 1865 ended both slavery and his public cause, so Whittier turned to other forms of poetry for the remainder of his life. Later life One of his most enduring works, "Snow-Bound", was first published in 1866. Whittier was surprised by its financial success, earning some $10,000 from the first edition.Wagenknecht, 7] In 1867, Whittier asked Whittier spent the last few winters of his life, from 1876 to 1892, at Oak Knoll, the home of his cousins in Poetry His first two published books were "Legends of New England" (1831) and the poem " Highly regarded in his lifetime and for a period thereafter, he is now largely remembered for his patriotic poem "" and for a number of poems turned into :"O Brother Man, fold to thy heart thy brother:":"Where pity dwells, the peace of God is there;":"To worship rightly is to love each other,":"Each smile a hymn, each kindly word a prayer." Also shown in his poem "To Rönge" in honour of :"Thy work is to hew down. In God's name then:":"Put nerve into thy task. Let other men;":"Plant, as they may, that better tree whose fruit,":"The wounded bosom of the Church shall heal." Whittier's poem "At Port Royal 1861" describes the experience of Northern abolitionists arriving at Port Royal, South Carolina, as teachers and missionaries for the slaves who had been left behind when their owners fled because the :"Oh, praise an' tanks! De Lord he come":"To set de people free;":"An' massa tink it day ob doom,":"An' we ob jubilee.":"De Lord dat heap de Red Sea waves":"He jus' as 'trong as den;" :"He say de word: we las' night slaves;":"To-day, de Lord's freemen.":"De yam will grow, de cotton blow,":"We'll hab de rice an' corn:":"Oh, nebber you fear, if nebber you hear":"De driver blow his horn!" Of all the poetry inspired by the Civil War, the "Song of the Negro Boatmen" was one of the most widely printed,cite book| last = Epstein | first = Dena | authorlink = | coauthors = | year =2003 | title =Sinful Tunes and Spirituals: Black Folk Music to the Civil War | publisher =University of Illinois Press| location = Criticism Legacy Whittier's family farm, The A bridge named for Whittier, built in the style of the Sagamore and List of works Poetry collections Prose Further reading * Pickard, John B. "John Greenleaf Whittier: An Introduction and Interpretation". New York: Barnes & Noble, Inc., 1961. Notes ources *Wagenknecht, Edward. "John Greenleaf Whittier: A Portrait in Paradox". New York: Oxford University Press, 1967. External links * [http://www.anb.org/articles/16/16-01765.html American National Biography Online: John Greenleaf Whittier] Источник: John Greenleaf Whittier
last = McKim
first = Lucy
authorlink =
coauthors =
title = Songs of the Port Royal 'Contrabands'
journal = Dwight's Journal of Music
volume = 21
issue =
pages = 254–55
publisher =
location =
date = November 8, 1862
url =
doi =
id =
accessdate = ]
*"Lays of My Home" (1843)
*"Voices of Freedom" (1846)
*"Songs of Labor" (1850)
*"The Chapel of the Hermits" (1853)
*"Home Ballads" (1860)
*"The Furnace Blast" (1862)
*"In War Time" (1864)
*"Snow-Bound" (1866)
*"The Tent on the Beach" (1867)
*"Among the Hills" (1869)
*"The Pennsylvania Pilgrim" (1872)
*"The Vision of Echard" (1878)
*"The King's Missive" (1881)
*"Saint Gregory's Guest" (1886)
*"At Sundown" (1890)
*"The Stranger in Lowell" (1845)
*"The Supernaturalism of New England" (1847)
*"Leaves from Margaret Smith's Journal" (1849)
*"Old Portraits and Modern Sketches" (1850)
*"Literary Recreations and Miscellanies" (1854)
*Woodwell, Roland H. "John Greenleaf Whittier: A Biography". Haverhill, Massachusetts: Trustees of the John Greenleaf Whittier Homestead, 1985.
* [http://www.kimopress.com/whittier.htm Whittier autobiography & poems]
* [http://www.cyberhymnal.org/bio/w/h/i/whittier_jg.htm Whittier biography & hymns]
*
* [http://www.two17records.com Audio of Greenleaf's works by Michael Maglaras]
* [http://www.two17records.com The Whittier Bi-centennial Recording Project] , featuring the poem "Snow-Bound" read by Michael MaglarasSites
* [http://johngreenleafwhittier.com/ Whittier Family Homestead and Birthplace of John Greenleaf Whittier]
* [http://www.essexheritage.org/visiting/placestovisit/listofsitesbycommunity/amesbury_whittier-home.shtml John Greenleaf Whittier Home, Amesbury, Massachusetts]
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