Книга: Paul Virilio «Raymond Depardon: Manhattan Out»
Производитель: "Неизвестный" Acclaimed French photographer, filmmaker and journalist Raymond Depardon arrived in New York in the winter of 1980. He came to visit a friend who had just taken a job in the city, and to kill time he strolled around the streets with his Leica. As a self-imposed constraint, and to encourage serendipitous results, he decided to take pictures without ever using the camera`s viewfinder. Working incognito throughout the nooks and crannies of New York City, Depardon amassed two or three rolls a day--but when the time came to assess the results, he was thoroughly disappointed. He never mentioned the experiment to anybody and has only now decided to unveil these blind` pictures to his public. Reexamining the work some 27 years `after the photographs were taken, Depardon was surprised to discover that most of his subjects were aware that they were being photographed, and that consequently the images contain more artifice than he had expected. His subjects project an affect of indifference in... ISBN:3865217044 Издательство: "Неизвестный" (2009)
ISBN: 3865217044 |
Paul Virilio
Paul Virilio (born
Biography
Paul Virilio was born in
In 1958, Virilio conducted a phenomenological inquiry into military space and the organization of territory, particularly concerning the
In 1998, Virilio retired from teaching. His latest projects involve working with homeless groups in Paris and building the first Museum of the Accident.
Theoretical arguments
The war model
Virilio developed what he calls the 'war model' of the modern city and of human society in general and is the inventor of the term 'dromology', meaning the logic of speed that is the foundation of technological society. His major works include "
Virilio's predictions about 'logistics of perception' - the use of images and information in war - (in "
The integral accident
Dromology
‘Dromos’ from the Greek word to race (Virilio 1977:47). Meaning: the 'science (or logic) of speed'. Dromology is important when considering the structuring of society in relation to warfare and modern media. He notes that the speed at which something happens may change its essential nature, and that that which moves with speed quickly comes to dominate that which is slower. 'Whoever controls the territory possesses it. Possession of territory is not primarily about laws and contracts, but first and foremost a matter of movement and circulation.' [http://www.ctheory.net/text_file.asp?pick=132 Source]
Logistics of perception
In contemporary warfare logistics does not just imply the movement of personnel, tanks, fuel and so on but also implies the movement of images both to and from the battlefield. Virilio talks a lot about the creation of
War of movement
For Virilio, the transition from
Quotes
'The first deterrence, nuclear deterrence, is presently being superseded by the second deterrence: a type of deterrence based on what I call 'the information bomb' associated with the new weaponry of information and communications technologies. Thus, in the very near future, and I stress this important point, it will no longer be war that is the continuation of politics by other means, it will be what I have dubbed 'the integral accident' that is the continuation of politics by other means.' [http://www.ctheory.net/text_file.asp?pick=132 From Ctheory Interview With Paul Virilio 'The Kosovo War Took Place In Orbital Space: Paul Virilio in Conversation with John Armitage']
'The speed of light does not merely transform the world. It becomes the world. Globalisation is the speed of light.' [http://www.ctheory.net/text_file.asp?pick=132 ibid]
'War was my university. Everything has proceeded from there.' [http://proxy.arts.uci.edu/~nideffer/_SPEED_/1.4/articles/derderian.html From An Interview with James Der Derian]
Bibliography
by Paul Virilio
*"Art as Far as the Eye Can See". Oxford: Berg, 2007.
*"The Original Accident". Cambridge: Polity, 2007
*"City of Panic". Oxford: Berg, 2005.
*"The Accident of Art". (with Sylvère Lotringer) New York:
*"Negative Horizon: An Essay in Dromoscopy". London: Continuum, 2005.
*"Art and Fear". London: Continuum, 2003.
*"Unknown Quantity". New York:
*"Ground Zero". London: Verso, 2002.
*"Desert Screen: War at the Speed of Light". London: Continuum, 2002.
*"Crepuscular Dawn". New York: Semiotext(e), 2002.
*"Virilio Live: Selected Interviews". Edited by John Armitage. London: Sage, 2001.
*"A Landscape of Events". Cambridge:
*"The Information Bomb". London: Verso, 2000.
*"Strategy of Deception". London: Verso, 2000.
*"Politics of the Very Worst". New York: Semiotext(e), 1999.
*"Polar Inertia". London: Sage, 1999.
*"Open Sky". London: Verso, 1997.
*"Pure War". New York: Semiotext(e), 1997.
*"The Art of the Motor". Minneapolis:
*"The Vision Machine". Bloomington:
*"Bunker Archaeology". New York:
*"The Aesthetics of Disappearance". New York: Semiotext(e), 1991.
*"Lost Dimension". New York: Semiotext(e), 1991.
*"Popular Defense and Ecological Struggles". New York: Semiotext(e), 1990.
*"War and Cinema: The Logistics of Perception". London: Verso, 1989.
*"Speed and Politics: An Essay on Dromology." New York: Semiotext(e), 1977 [1986]
on Paul Virilio
*Armitage, John, ed. "Paul Virilio: From Modernism to Hypermodernism and Beyond". London: Sage, 2000.
*Derian, James Der, ed. "The Virilio Reader". Malden (Massachusetts):Blackwell Publishers, 1998.
*Redhead, Steve. "Paul Virilio: Theorist for an Accelerated Culture". Edinburgh:
*James, Ian, "Paul Virilio", London: Routledge, 2007.
See also
*
*
*
External links
* [http://www.virilio.de Bibliographie to Virilio]
* [http://www.fondation.cartier.fr Paul Virilio at the Fondation Cartier pour l'art contemporain (Paris)]
* [http://www.radicalphilosophy.com/default.asp?channel_id=2187&editorial_id=10735 'Red Alert in Cyberspace'] in
* [http://www.ctheory.net/text_file.asp?pick=133 "Beyond Postmodernism? Paul Virilio's Hypermodern Cultural Theory" by John Armitage]
* [http://www.ctheory.net/text_file.asp?pick=62 "Cyberwar, God and Television", Interview With Louise Wilson]
* [http://www.geocities.com/ringfingers/thesis.html "Popular Defense in the Empire of Speed: Paul Virilio and the Phenomenology of the Political Body" by Jason Adams]
* [http://www.watsoninstitute.org/infopeace/vy2k/sans.cfm Game Of Love & Chance] : A discussion with Paul Virilio, by Jérôme Sans.
Источник: Paul Virilio
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