Книга: Gissing George «The Odd Women»

The Odd Women

Серия: "Oxford World's Classics"

So many odd women - no making a pair with them. The idea of the superfluity of unmarried women was one the New Woman novels of the 1890s sought to challenge. But in The Odd Women (1893) Gissing satirizes the prevailing literary image of the New Woman and makes the point that unmarried women were generally viewed less as noble and romantic figures than as odd and marginal in relation to the ideal of womanhood itself. Set in grimy, fog-ridden London, these odd women range from the idealistic, financially self-sufficient Mary Barfoot and Rhoda Nunn, who run a school to train young women in office skills for work, to the Madden sisters struggling to subsist in low-paid jobs and experiencing little comfort or pleasure in their lives. Yet it is for the youngest Madden sister's marriage that the novel reserves its most sinister critique. With superb detachment Gissing captures contemporary society's ambivalence towards its own period of transition. The Odd Women is a novel engaged with all the major sexual and social issues of the late-nineteenth century. Judged by contemporary reviewers as equal to Zola and Ibsen, Gissing was seen to have produced an intensely modern work and it is perhaps for this reason that the issues it raises remain the subject of contemporary debate.

Издательство: "Oxford University Press" (2008)

ISBN: 978-0-19-953830-0

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Gissing, George

▪ English novelist
in full  George Robert Gissing 
born Nov. 22, 1857, Wakefield, Yorkshire, Eng.
died Dec. 28, 1903, Saint-Jean-de-Luz, France
 English novelist, noted for the unflinching realism of his novels about the lower middle class.

      Gissing was educated at Owens College, Manchester, where his academic career was brilliant until he was expelled (and briefly imprisoned) for theft. His personal life remained, until the last few years, mostly unhappy. His two marriages—the first to a prostitute and the second to a servant girl—brought him little but misery, and the life of near poverty and constant drudgery—writing and teaching—that he led until the mid-1880s is described in the novels New Grub Street (1891) and The Private Papers of Henry Ryecroft (1903). In his last years Gissing established a happy relationship with a Frenchwoman, Gabrielle Fleury, with whom he lived.

      Before he was 21 he conceived the ambition of writing a long series of novels, somewhat in the manner of Balzac, whom he admired. The first of these, Workers in the Dawn, appeared in 1880, to be followed by 21 others. Between 1886 and 1895 he published one or more novels every year. He also wrote Charles Dickens: A Critical Study (1898), a perceptive piece of literary criticism.

      His work is serious—though not without a good deal of comic observation—interesting, scrupulously honest, and rather flat. It has a good deal of documentary interest for its detailed and accurate accounts of lower-middle-class London life. On the social position and psychology of women he is particularly acute: The Odd Women (1893) is a powerful study of female frustration. He did not lack human sympathies, but his obvious contempt for so many of his characters reflects an artistic limitation. Gissing was deeply critical, in an almost wholly negative way, of contemporary society. Of his novels, New Grub Street, considered by some critics to be his only great book, is unique in its merciless analysis of the compromises required by the literary life. Though he rejected Zola's theory of naturalism, his ironic, agnostic, and pessimistic fictions came to be respected for their similarity to contemporary developments in French realist fiction.

Additional Reading
Jacob Korg, George Gissing: A Critical Biography (1963, reissued 1980); Mabel Collins Donnelly, George Gissing: Grave Comedian (1954, reissued 1973); Adrian Poole, Gissing in Context (1975); Michael Collie, The Alien Art: A Critical Study of George Gissing's Novels (1979).

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Источник: Gissing, George

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