Книга: Bailey David «Flowers, Skulls, Contacts»

Flowers, Skulls, Contacts

Серия: "-"

What do flowers, skulls and contact sheets have in common? Not much you might think, but David Bailey begs to differ. This book combines Bailey's recent colour photographs of still-life flowers and skulls, with black and white contacts of his iconic celebrity portraiture and fashion work from the 1960s. One might analyze Bailey's combination of these bodies of work in light of the vanitas tradition, seeing it as a commentary on mortality and the passing of time. Indeed such a reading is tempting when comparing images of wilting roses with contacts of Brian Jones and John Lennon, both of whom appear confident in the prime of youth, unaware of the fates that will befall them. But perhaps this is too much, and Bailey himself would probably tell you so. For him, the flowers, skulls and contacts are simply different projects that he was working on simultaneously and decided to combine because he likes the idea of "eclectic collections" . Enough said.

Издательство: "Thames&Hudson" (2010)

ISBN: 978-3-86930-128-0

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Look (изд. 2010 г. )David Bailey revolutionized fashion and portrait photography in the 1960`s with his spare, graphic aesthetic and irreverent approach to models and editors alike. Best known for his iconic portraits… — Phaidon Press, Подробнее...20101943бумажная книга

Bailey, David

▪ British photographer
born Jan. 2, 1938, London, Eng.

      British photographer known for his advertising, celebrity, and fashion photographs.

      David Bailey, whose career in photography would eventually bring him into contact with the high reaches of British society, came from a working-class East London background. Educated in London, he left school at a young age, worked at a series of menial jobs, and served with the Royal Air Force in Malaysia in 1957–58. Having been interested from his youth in painting and photography, in 1959 he apprenticed at the John French Studio, where he became involved in fashion photography. In 1960 he began to photograph for British Vogue, where he worked for about 15 years, first on staff and later as a freelancer. He also freelanced for other magazines and newspapers.

      Bailey's fashion work and celebrity portraiture, characterized by stark backgrounds and dramatic lighting effects, transformed British fashion and celebrity photography from chic but reserved stylization to something more youthful and direct. His work reflects the 1960s British cultural trend of breaking down antiquated and rigid class barriers by injecting a working-class or “punk” look into both clothing and artistic products. Bailey himself became a celebrity who epitomized “swinging London”; he was known for his affairs with several celebrated women, among them the model Jean Shrimpton and the actress Catherine Deneuve (Deneuve, Catherine), whom he married in 1965 (divorced 1972). He is thought to have inspired the role of the photographer, Thomas, in Michelangelo Antonioni (Antonioni, Michelangelo)'s film Blow-up (1966).

      Bailey also directed television commercials and produced a number of books and documentary films. In 1972 he began publishing the fashion and photography magazine Ritz. Although he continued to photograph celebrities for publications such as Harper's Bazaar and The London Times throughout the 1970s, '80s, and '90s, he began to turn his attention to television commercials.

      His documentary subjects include Cecil Beaton, Andy Warhol, and Luciano Visconti. Books of his photographs include Box of Pin-ups (1964), Goodbye Baby & Amen: A Sarabande for the Sixties (1969), Another Image: Papua New Guinea (1975), David Bailey's Trouble and Strife (1980), David Bailey, London NWI: Urban Landscapes (1982), Imagine (1985), David Bailey's Rock and Roll Heroes (1997), and David Bailey: Chasing Rainbows (2001). He was created a Commander of the British Empire in 2001.

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Источник: Bailey, David

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